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Virginia Cherrill charmingly plays a young, blind, flower seller whom the tramp (Charlie Chaplin) falls for, hook line and sinker. Later that night, he is crossing a bridge when he encounters a suicidal, dipso, millionaire (Harry Myers) whom he convinces to hang about for a while longer, and who by way of appreciation invites him to a party at his mansion, then to a series of evening entertainments. Thing is, when he wakes up with the mother of all hangovers next morning, though, he has never a clue who the tramp is and so gets his butler to send him packing. Meantime, still determined to help his new love, our kindly vagrant reads in a newspaper that there might be might be a cure for her blindness - but it will be expensive. His boozy buddy offers him $1,000 to help but when, as usual in the morning, he sobers up and denies all knowledge of the "gift". The police are called and things now take a series of unhappy turns that force the tramp to think of other ways of raising the cash. This challenge is especially spurned on when he discovers that she has left her usual selling spot and is now quite poorly and being taken care of by her grandmother (Florence Lee) - and they are facing eviction. It's probably his attempts at boxing that provide for most of the entertainment here, but there are plenty of other humorous exploits - especially between him and Myers and the scenes with Cherrill are touching and joyous, too. Chaplin keeps the pace moving along well with plenty of variety in a film that's a gem to watch.
A troubled detective tries to solve the case of a murdered woman in broad daylight before his demons get the best of him.
Som, an ordinary young woman who works as a movie make-up artist. Her longtime live-in boyfriend Rang is also in the business. But the handsome musclebound prop guy – always wearing tight, biceps-baring vest T-shirts – captures many adoring eyes, like that slutty actress, but also his straight-acting gay boss and just about anyone else with a pulse.
A chronicle of the life of Indian boxer 'Mary Kom' who went through several hardships before audaciously accomplishing her ultimate dream.
Recently cuckolded and reeling from a messy divorce, a hapless former singer hits the road - and the bar - with his all-too-helpful best bud, in this hilarious romantic comedy.
The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".
Alex Belli is a 37 year old advertising executive whose fiancée Elena has just left him, and who is having difficulty at work trying to think of a good advertising campaign for a new Japanese product. Niki is a bubbly 17 year old student. She has three best friends with whom she shares all her problems, and an annoying ex-boyfriend Fabio who is set on getting her back, but Niki's not interested. One day on his way to work, Alex collides with Niki on a city street. They soon begin a romance, despite their 20-year age gap.
Lew is a small time loser with a troubled past and a very big secret. Overhearing a couple plan a kidnapping, Lew is tempted to come up with a scheme of his own. He decides to get to the victim first and then blackmail the real criminals. His plan soon spins out of control.
Peppino is an aging taxidermist constantly ridiculed for being short and somewhat creepy. He meets Valerio, a handsome young man fascinated by Peppino's work. Peppino, in turn, becomes entranced by Valerio and offers him a large salary to come work as his assistant. But when Valerio meets Deborah, their fledgling romance is threatened by an insanely jealous third wheel.
Released in five parts (The Persecution of the Children of Israel by the Egyptians, Forty Years in the Land of Midian, The Plagues of Egypt and the Deliverance of the Hebrews, The Victory of Israel, The Promised Land), 4 December 1909 to 19 February 1910. A Vitagraph advertisement in the Moving Picture World (31 Dec. 1909) refers to The Life of Moses as a "Biblical Film-de-Luxe". It is preserved in the Library of Congress collection.
When Maja brings her fiancé home, her traditional parents must overcome their cultural biases amidst a crisis at their dairy farm. Can love find a way?