Le Concerto de Mozart

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, “The Reichsorchester”, made in collaboration with musicians of the orchestra and its archive.

After more than 60 years, the uncrowned king of 20th century pianists returned to his freedom-torn homeland to perform his swan song in a piano recital. In the mid-1980s, a breathtaking concert took place in Moscow that many still recall with emotion. The great Ukrainian-American pianist Vladimir Horowitz performed there for the first time in more than half a century. At that time, the border between East and West was impassable. The Cold War was in full swing. The two superpowers, the US and the Soviet Union, considered each other enemies. The race to produce atomic weapons threatened everyone's lives. The legendary pianist Vladimir Horowitz, then eighty-two years old, began one evening discussing with his concert agent Peter Gelb what he dreamed and wished for. One of the things was to look back to Russia.

Documentary on the life and accomplishments of the members of this uniquely talented musical family. The film focuses on the Figueroa family’s history within the context of its creative universe, dating back to the 19th century. Through the use of photographs, historic film footage, recordings, sheet music, newspaper clippings, and posters, the musical trajectory of the family is brought to life and their role in transforming the musical history of Puerto Rico and the world is portrayed.

Recently diagnosed with ADHD, a symphony conductor uses the career shutdown of the 2020 pandemic to dive into her mental health. She looks for ways to face the challenges and honour the gifts of being neurodiverse.

The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.

Hearing Beethoven’s Ninth Symphony for the first time changed Daniel Bartholomew-Poyser’s life forever, and in this inspiring documentary, we see him—the first openly gay Black conductor in Canada and a regular conductor with the San Francisco and Vancouver symphonies—using his passion to bring live classical music to people identifying as “different,” like he does. Having struggled with his own sexuality, Bartholomew-Poyser believes music can help unite and uplift everyone beyond race, class, and gender. This unorthodox film chronicles his concerts in a women’s prison and teaming up with Thorgy Thor (from RuPaul’s Drag Race and also a classically trained violinist) to create the first orchestral drag show in Canada.

John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.