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Now I can't really blame this documentary for this, but as Rubin Mehta himself says in the preamble, he never wants to hear this piece of music again - and neither did I. His reason is days of practice for this performance, mine is less worthy and more to do with Torvill and Dean's Free Ice Dance routines in 1984. Anyway, to begin with we spend a little time with some of the soloists as they explain the difficulties of playing this piece and of synchronising it within the larger arrangement that Mehta himself is putting together. The flautist, bassoonist and conductor himself give us some interesting insight into just how this piece gently but firmly accumulates to an orchestral crescendo fit to accompany one of the most visceral of Spanish dances. Put in that context and using some intimately crafted direction here, I found myself realising that though I still find this a repetitive piece, I was aware of just how complex the production of such a beautifully rich sound is, and with the conductor lit to look more akin to Rasputin than a musician, I found myself ever so slightly captivated. It's played in it's entirety here and is well worth just letting wash over you for twenty minutes.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
Baritone Benjamin Appl and pianist James Baillieu reimagine Schubert's song cycle Winterreise in the wintry setting of an Alpine landscape at the top of a mountain pass in Switzerland - a place that emphasises the timelessness of Schubert's music
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir, which is not easily accepted by the town yet the choir builds a great love for their teacher.
30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.
Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
Sheku Kanneh-Mason made history in 2016 when he became the first black winner of the BBC Young Musician competition. Sheku has six musically gifted siblings and this film explores their extraordinary talents and issues of diversity in classical music. We follow Sheku and his brothers and sisters and examine the sacrifices that parents Stuart and Kadie make in order to support their children in pursuing their musical dreams. Told through the prism of family life we get an understanding of what it is that drives this family to be the best musicians they can be. At the heart of the story is 17-year-old Sheku, and we see him coming to terms with his Young Musician win and the pressures and opportunities it brings. His life is changing dramatically as he now has to learn to deal with the challenges of becoming a world-renowned cellist.
John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.
