El dinero no es la vida

A stranger mentors a young Reno gambler who weds a hooker and befriends a vulgar casino regular.

Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.

Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

Montreal, Winter 2002. Stéphane, 19 years old, fan of Metal, student in graphic design, dreams of becoming an illustrator. But for months he has been caught in a threatening spiral: he is addicted to games. Indebted, without an apartment, avoiding his friends to whom he owes money, Stéphane takes a job as a dishwasher in a restaurant in a major Italian restaurant in Montreal in order to get by. There, he will meet Bébert, a cook who burns the candle at both ends, and Greg, a waiter with disreputable actions. Will Stéphane make it through this new job or will he fall into a downward spiral of bad choices?

A young innocent falls for a compulsive gambler.

Dan Mahowny was a rising star at the Canadian Imperial Bank of Commerce. At twenty-four he was assistant manager of a major branch in the heart of Toronto's financial district. To his colleagues he was a workaholic. To his customers, he was astute, decisive and helpful. To his friends, he was a quiet, but humorous man who enjoyed watching sports on television. To his girlfriend, he was shy but engaging. None of them knew the other side of Dan Mahowny-the side that executed the largest single-handed bank fraud in Canadian history, grossing over $10 million in eighteen months to feed his gambling obsession.

While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.

A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.

A tale of outsized ambition and outrageous excess, tracing the rise and fall of multiple characters in an era of unbridled decadence and depravity during Hollywood's transition from silent films to sound films in the late 1920s.

Basiong spends all of his time in the cockpit. His family is neglected and his child Mario dies. St. Peter and his rooster decide to intervene.