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A fecal, anal honking, and vomit-infused tale revolving around orgy-driven slaphappiness and punchdrunk intoxication as the silent movie era disjointedly stumbled into sound and talkies. Channeling the likes of Michel Hazanavicius’ _The Artist_ and _Fear and Loathing in Las Vegas_ with a rhythmically chaotic boogie seemingly torn right out of Gasper Noe’s _Climax_, _Babylon_ is an aggressive assault of the senses loosely thread together by cinematic evolution and dwindling fame. **Full review:** https://boundingintocomics.com/2022/12/15/babylon-review-requiem-for-the-silver-screen/
Babylon is debauchery at its finest. It encapsulates an era like no other and dares to be so different, yet so appealing. On the surface this film is a very straightforward plot, following our three leads and their attempts at success in the ever-changing world of cinema. But deep down, there is another message that is so relevant to everyone's life: accepting death/irrelevance. Just as fast as our characters achieve their dreams of being stars in the industry, these dreams are quickly whisked away by the brutality and cutthroat nature of Hollywood. This is juxtaposed with Brad Pitts character, a man already on downward spiral of his career, trying to desperately hold on to what remains. These arches are so honest and vulnerable, I found very compelling. The performances were top notch all around, and I would expect nothing more from a stacked cast of actors including Margot Robbie and Brad Pitt. But the surprise of the bunch was Diego Calva. He was fantastic and stole many scenes he was featured in with both Robbie and Pitt. He is the true lead of this film and does an excellent job bearing the load. I really enjoyed almost aspects of the film, but towards the end there are some sequences that I feel got away from Chazelle. They are so over the top and kind of feal out of place in this somewhat grounded story. The tension is there in these scenes, but it just doesn't fit. This whole subplot could have been shorten tremendously helping reduce the bloated runtime of the film. That being, I never really felt the length of this picture with it being quite well paced. Overall, this movie was real treat, and it is quite a shame that marketing was jumbled up so poorly because this film deserves viewership. Score: 88% Verdict: Excellent Theatre Verdict: See It
It's a sort of triptych of stories of Hollywood, this. A tale that starts off with all the excesses and hedonism of the cocaine fuelled, sexually lascivious antics where even an elephant isn't too much for a party hosted by a movie mogul. It's here we meet the three characters who provide the thread for the rest of this maelstrom of a movie. Firstly we have the young, naive, but quick-thinking "Manny" (Diego Calva) who manages to attract the attention of the much-married, established and former silent screen star "Jack Conrad" (Brad Pitt) all whilst Margot Robbie's ambitious and outrageous "Nellie LaRoy" is sniffing, snorting, dancing and generally sexifying everything she touches as she bids to get into the acting business. What now ensues is a really well crafted and thoughtfully entertaining tale of the rise and fall and rise and fall of these three characters and of how their success brings failure as surely as the sun comes up. Robbie is on excellent form, a truly convincing performance as a character ill-equipped for the journey she is so determined to undertake. Pitt, likewise, plays well here. His character has less in the way of shock factor to deliver, but that storyline offers us a rather more effectively stolid appreciation of just how fickle success can be: there, then gone - in what might seem like a blind of the eye. Finally, the aspirational but (initially) more measured, head-screwed-on Calva who falls in love, and ends up trying to fight the inevitable like King Canute! There's a quirky effort from Tobey Maguire, an alligator and a rat-eater; and a rather scene-stealing contribution - especially at the end - from Jean Smart's Hedda Hopper-style gossip journalist "Elinor St. John" - possibly the only honest character in the entire thing! It's a pastiche and/or an homage to all things cinema at a time of the gradual emergence and then dominance of sound pictures, and we are frequently exposed to the car-crash lifestyles as everyone adapted, re-adapted, and continued to stay on their toes as their industry and their audiences did not always want to take everyone with them - and at break neck speed too - as tastes changed. It's got everything from Cecil B DeMille to Baz Luhrmann to it, takes a swipe at the pompous-thinking stage theatricals (from the East Coast), the shallowness of the whole industry - and yet, it never loses a sense the these are still people. Human beings! It is not difficult to imagine Kenneth Anger advising on the script - it "could" all be true". Maybe a bit on the long side, it certainly sags now and again - but it's definitely a big screen experience that delivers solid, engaging performances that are not over reliant on - even, rather comically (and dangerously) illustrating just how films were made before - CGI! No point in waiting for this to come to television - it's a must for the cinema around which it's story is told.
Some great production and costume designs and the performance from Margot Robbie was great while Brad Pitt was good but seen better from him, and the opening 30 minutes were wild but otherwise this was far too long and nothing terribly memorable. **3.0/5** I did forget this was the movie that proved Margot Robbie and Samara Weaving are indeed different people... :p
_Babylon_ is a visually stunning and stylish film with it’s share of pros and cons. On the one hand, the performances by Brad Pitt and Margot Robbie were outstanding. They truly brought their characters to life and added depth to the story. However, I found that the storyline didn't flow smoothly, and at times it felt disjointed and confusing. Additionally, some of the more grotesque scenes were overly exaggerated, which detracted from the overall experience. Another downside was the length of the movie, which at over 3 hours, felt excessive.
Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.