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Yeah a movie like this isn't getting made today, and that is a shame, but the lead character is a female that has a sexual awakening, which would get made today... ... but she is heterosexual which would make it problematic, and she isn't super-powered in anyway and has an actual journey overcoming hardships, which is also problematic. And that is all a shame. The movie isn't bad. It's erotic, which doesn't necessarily make if bad but tends to get it bad reviews (as if critics and people that watch movies don't want to admit that they could possibly like an erotic movie) and it is dramatic, but the big draw is that it's also atmospheric, and the three combined make it an interesting watch. At the end of the day you see a woman grow from lost after suffering the death of her father, to finding her new way in life. It's certainly worth a watch.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost - love, excitement, passion - this classic American independent film explores themes of aging and alienation.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
Ertan Ongun is German-Turkish, a child of migrants. He likes to refer to himself as Kanake. His buddies Mehdi and Kemal are of the same ilk. They do “business” on the street together, but because of their recklessness and sometimes great stupidity, they repeatedly offend both other criminals and the police. No problem for Ertan, because his motto is loyalty, quick money, and being a kanake. “Fuck and be fucked, that’s life!” … and that’s what he lives by one hundred percent.
After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.
The true and infamous story of Australia's notorious criminal Mark 'Chopper' Read and his years of crime, interest in violence, drugs and prostitutes.
OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.
Inspectors Tong (Shaw Brothers regular Pai Ying) and Cheng (Kent Cheng) are investing a psychopathic serial killer who has been raping and murdering prostitutes. With the help of a young prostitute, they follow the bloody trail to...