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Well you don't get much chance to draw breath for the first fifteen minutes of Frank Lloyd's silent interpretation of this exciting seafaring story. "Sir Oliver" (Milton Sills) is sitting by the fireside of his manor house dreaming of his fiancée "Lady Rosamund" (Enid Bennett) when the wheels start to come off his well ordered life. He finds himself wrongly blamed for killing "Godolphin" (Wallace MacDonald) who happens to be her brother and who has actually been bumped off by "Lionel" (Lloyd Hughes) who happens to be the half brother of the poor soul who's now in a lot of trouble! Fleeing seems like the order of the day, but that is just a frying pan to fire exercise as he is captured by the Spaniards and put to the oars of a galley. He's quite a wily fellow, makes some friends amongst the shackled and manages to escape. Once free, he does his own "Count of Monte Cristo" impersonation, becoming "Sakr-el-Bahr" and scaring the wits out of the other seafarers using the high seas to trade. Meantime, a dejected "Rosamund" is facing the prospect of a marriage to the treacherous "Lionel" and when news of their impending nuptials reaches a certain Morrish stronghold, "Sir Oliver" sets off to kidnap the pair. Thing is, she is a beauty and she turns the head of the ageing but clearly still up for it Basha (Frank Currier) so now they must make other arrangements before she heads to his harem... Can they manage to reconcile, deal with their duplicitous relative and make it back to home and hearth in Blighty in one piece? It's a quickly paced and lively swashbuckler this, with some seriously impressive maritime combat scenes with life-sized ships and an astonishing degree of attention to detail amongst the costumes, action and the settings. Sills looks like he's enjoying himself - especially when he gets into his Arab garb and starts a-pirating, and Bennett and the engaging Wallace Beery contribute strongly too. It's a good adventure film, and though there is romance at times it doesn't ever bog down the plot and, indeed, "Lady Rosamund" is just as formidable a character as any of the men.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
Coy, a sailor without ship, banished from the sea by a navigation accident occurred during his guard, knows in an auction of naval objects in Barcelona to an attractive and mysterious woman, Tangier. This, in hard struggle with an Italian adventurer, Nino Palermo, manages to get a cartographic jewel of eighteen, the Maritime Atlas of Urrutia.
Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.
An internationally respected poet announces she is going to kill herself and needs an heir and executor. Young writers drive up the mountain to compete for the position and are challenged intellectually, emotionally, and erotically.
Tensions rise when a U.S. military base is built in a small village in post-war Germany.
One Sunday, a penniless unmarried young South Korean couple meet, as they do every Sunday; while the pregnant young woman believes they are not ready to bring a child into the world, the young man decides to go visit his friends to borrow money for delivery.
Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.
Viktor Graves, a troubled young man who isolates himself in rural Ohio, survives an attack by a feral man. Soon after, Viktor sees and hears inexplicable terrors surrounding him at every moment, shredding his sanity and leaving him to wonder...what is real and what is madness?