A Quiet Place Day One 2024 - Movies (Oct 2nd)
Assassins Guild 2024 - Movies (Feb 20th)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
OATS Studios - (Feb 21st)
First Dates Ireland - (Feb 21st)
Law dis-Order - (Feb 21st)
Law and Order- Special Victims Unit - (Feb 21st)
The Commoner - (Feb 21st)
Elsbeth - (Feb 21st)
Southern Hospitality - (Feb 21st)
Going Dutch - (Feb 21st)
Found - (Feb 21st)
Matlock - (Feb 21st)
Ask This Old House - (Feb 21st)
This Old House - (Feb 21st)
The Nature of Things - (Feb 21st)
Ghosts - (Feb 21st)
**The power and importance of cultural roots.** This was the first New Zealand film I saw, at least as far as I remember and am aware of that. It's a violent film, with a raw brutality that shocks us by how authentic it sounds. Domestic violence? Child rape? It's not something you only see in the movies. It's something you see in a newspaper. That's what shocks us the most: knowing it's something real. And I warn you now: there are violent films, but this one is really intense and shocking... a lot. The film takes place in Auckland, in a poor suburb built by the State for people with very low incomes. There lives an overwhelmingly Maori population, apparently on the margins of Anglo-Saxon, white and elegant society. This country ceased to be a colony a long time ago but, as happens in many places in the world, the dominant ethnic group is still that of European descendants and there is a certain dominant racism. In the midst of this, this Maori population seems lost, aimless in the midst of vices and crime. Will that be reality? I don't know, but a quick search of some New Zealand newspapers indicates that the problem is real. Lee Tamahori did a good job of preventing this film from becoming something it shouldn't be, that is, a tearful drama or an anti-racist manifesto that is no longer given the attention it deserves. Instead, the director starts from this base and makes a blunt and sincere affirmation of the importance of searching for cultural roots and the way in which this changes our way of being and our attitude in life. Why does Jake Heke do what he does? Because he cut all ties with his culture and roots after he ran away with his wife in order to get married. In doing so, he took refuge in violence. The children would also suffer from this, and only a reencounter with their roots can give them the guidance in life that they so badly need, and that they instinctively seek. The film has excellent cinematography and visuals. Personally, I don't really like the graphics that were used for the opening and ending credits, I think they are out of character for the movie, but that's just my opinion. Discreet in the effects, soundtrack and sounds, it is a film that seeks to be effective but discreet, in order to give the story and the actors all the space to have our full attention. Even so, the settings are worth seeing, particularly the Heke house and the wrecked car where Toot, a homeless young man, lives. The film has an excellent direction, screenplay and sets, but none of it would work well without competent actors. Rena Owen largely fulfills this requirement with a work worthy of being studied by aspiring actors. The actress is extraordinary, she does such a good job that it's hard to understand why the film wasn't considered, at least, for the Oscar for Best Actress (is it because she didn't have that week in Los Angeles that the Academy demands?) . The work of Temuera Morrison and Mamaengaroa Kerr-Bell also deserves a note of praise.
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
Plagued with grief over the murder of her daughter, Valerie Somers suspects that her husband John is cheating on her. When Valerie disappears, Detective Leon Zat attempts to solve the mystery of her absence. A complex web of love, sex and deceit emerges - drawing in four related couples whose various partners are distrustful and suspicious about each other's involvement.
Ollie Trinke is a young, suave music publicist who seems to have it all, with a new wife and a baby on the way. But life deals him a bum hand when he's suddenly faced with single fatherhood, a defunct career and having to move in with his father. To bounce back, it takes a new love and the courage instilled in him by his daughter.
Tough guy Thomas Beckett is an US soldier working in the Panamanian jungle. His job is to seek out rebels and remove them using his sniper skills. Beckett is notorious for losing his partners on such missions. This time he's accompanied by crack marksman Richard Miller.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
Growing up in small-town America, two friends dream about escaping their confining families to search for their dreams and freedom in the big city. Arriving in Los Angeles, the two discover the harsh realities of the city as they enter the shadowy world of the film business. Ultimately, the two friends must choose between love and friendship and soon discover that life has its own destiny for everyone.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
An American woman, trapped in Islamic Iran by her brutish husband, must find a way to escape with her daughter as well.
A weekend cruise on a luxurious party yacht goes horribly wrong for a group of old high-school friends when they get stuck in the water many miles from shore and a happy reunion turns into a fight for survival.
Jean Claude Van Damme plays a dual role as Alex and Chad, twins separated at the death of their parents. Chad is raised by a family retainer in Paris, Alex becomes a petty crook in Hong Kong. Seeing a picture of Alex, Chad rejoins him and convinces him that his rival in Hong Kong is also the man who killed their parents. Alex is suspicious of Chad, especially when it comes to his girlfriend.
For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.