A Quiet Place Day One 2024 - Movies (Oct 2nd)
Assassins Guild 2024 - Movies (Feb 20th)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
OATS Studios - (Feb 21st)
First Dates Ireland - (Feb 21st)
Law dis-Order - (Feb 21st)
Law and Order- Special Victims Unit - (Feb 21st)
The Commoner - (Feb 21st)
Elsbeth - (Feb 21st)
Southern Hospitality - (Feb 21st)
Going Dutch - (Feb 21st)
Found - (Feb 21st)
Matlock - (Feb 21st)
Ask This Old House - (Feb 21st)
This Old House - (Feb 21st)
The Nature of Things - (Feb 21st)
Ghosts - (Feb 21st)
Yellowjackets - (Feb 21st)
Hardwicke clones Twilight style on every way in this movie: photography, editing, dialogues, disconnected story telling and even the looks of the male hero. However, the script is interesting and keeps you hooked on not knowing what's going on until the end.
This artistic masterpiece is unfortunately undervalued. Unfortunately, Warner Bros. Entertainment does not know its worth, and due to their lack of interest in it, it has become obscure. This artistic masterpiece must be revived again. Warner Bros. Entertainment must do this, just as 20th Century Fox did when it released two improved releases of the Titanic movie in 2003 and 2012. Who would believe that a movie released in 1997 is now available in 4K quality and 3D technology?! Warner Bros. Entertainment must re-release the movie trailer in 4K quality as a first step to correct its course, and launch a new strong marketing campaign for the Red Riding Hood movie, just as it launched a strong marketing campaign for the Barbie movie that does not deserve it. They should do this for the movie that deserves it, not the opposite. Essentially, the reason for the lack of fame of the Red Riding Hood movie was the failure of Warner Bros. Entertainment in its marketing campaign for the movie, as it was a very weak campaign, in addition to its excessive pursuit of the PG-13 age rating instead of accepting its R-rating, which led to changing the ending for the PG-13 rated cut. The reason was not the movie itself or the director Catherine Hardwicke. In fact, Catherine Hardwicke directed the movie in an unimaginable way, especially in the unrated original cut of the movie known as the Alternate Cut. The existence of a rated cut without additional terms such as (Alternate Cut) does not necessarily mean that it is the original cut. In fact, the original cut is the one that was not modified to fit the PG-13 age rating. The original cut is the one that was released as is without modifications. The original cut is the one that the MPAA did unrate, so you always find the word Unrated next to it. The original cut is the Alternate Cut, and it was not named Director's Cut because Warner Bros. Entertainment changed the ending of the PG-13 rated cut to fit the PG-13 age rating. Therefore, it is no longer possible to name the original cut as Director's Cut, as this title does not include the change in the ending. Therefore, they had to name the original cut as the Alternate Cut to include the change in the ending. As you know, production companies do not like the R-rating because it narrows the audience range, which reduces revenues. Therefore, Warner Bros. Entertainment pressured Catherine Hardwicke to modify the movie to be released with a PG-13 age rating instead of an R-rating. This explains why the ending was changed in the rated cut compared to the unrated original cut. In my opinion, both cuts are successful artistic masterpieces, but the original cut is more artistically successful, and I loved it more. My rating for the rated cut (modified) is 9/10, and my rating for the unrated original cut (Alternate Cut) is 10/10. It is the best and greatest of all time in presenting the story of Red Riding Hood, and no movie surpasses it in presenting this story. Thank you, Catherine Hardwicke, for this artistic masterpiece.
When Alice, a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt, the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.
When a charming 12-year-old girl takes on the characteristics and voices of others, doctors say there is nothing they can do. As people begin to die, the girl's mother realizes her daughter has been possessed by the devil - and that her daughter's only possible hope lies with two priests and the ancient rite of demonic exorcism.
Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.
With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.
Mario and Luigi, plumbers from Brooklyn, find themselves in an alternate universe where evolved dinosaurs live in hi-tech squalor. They're the only hope to save our universe from invasion by the dino dictator, Koopa.
A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
Brigitte has escaped the confines of Bailey Downs but she's not alone. Another werewolf is tailing her closely and her sister's specter haunts her. An overdose of Monkshood - the poison that is keeping her transformation at bay - leads to her being incarcerated in a rehabilitation clinic for drug addicts where her only friend is an eccentric young girl by the name of Ghost.