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James M. Cain, Dashiell Hammett, Raymond Chandler, and Cornell Woolrich. All were great noir writers but Woolrich is mostly forgotten by readers today. All have had many of their stories adapted in Hollywood. In fact, Woolrich may have had more films made from his stories and novels than any one of the others. Of course, the Blackboard regulars and mystery readers know him well. The writer of “Rear Window” lived a hard life. He suffered from depression and apparently lived a sad, lonely life. If Woolrich lived today, he probably could have been treated for the depression and alcoholism that beat him later in life. But could a happy Woolrich write the dark Fear in the Night or Phantom Lady? Probably not. Want to know how dark this guy was? In an afterword to “The Fantastic Stories of Cornell Woolrich” the writer is quoted: “Life is death. Death is life. To hold your one true love in your arms and to see the skeleton she will become; to know that your love leads to death, that death is all there is, that is what I know and what I do not want to know and what I cannot bear.” I recently got my hands on “I Wouldn’t Be in Your Shoes,” another one of Woolrich’s unremitting nightmares turned into a very entertaining B-film. It’s interesting to see how dark this film is, even with an ending that is unsurprisingly upbeat. There will be spoilers ahead. The film starts with the title card of the film over the shadow of a nose swinging. Dangling from the rope is a pair of shoes. The shoes play a big part in the film. A young married couple is living together in a tiny one-room apartment in New York City. They both have dreams of making it big as dancers but lately they haven’t been able to get a break. The wife works at a dancing school at night, where she dances with lonely men for tips. The husband pounds the pavement every day looking for dancing work but not finding any. Making matters worse, the man is worried about his wife staying out all hours of the night with the guys at the dance school. I guess the “Ortiz Dance School” is the 40’s equivalent of a “Gentleman’s Club” today. The woman flirt with the men and the men walk out of the place with a smile on their face, perfume on their clothes, and a pound lighter in the wallet. Tom gets hotter and hotter as he waits for his wife Ann to return one night. When she finally does, she tells him she stayed to talk to “Santa Claus”’; a man who tips her well at the place. The dancing couple eventually makes up and goes to bed. Just as the lights go out, cats in the alley below begin to howl. Tom, a little drunk, throws his shoes down at them to shut them up. His wife tells him it’s his last pair of shoes – his tap shoes- and that he must go down now and get them. He goes out to get them but doesn’t find the shoes. In the morning, the shoes are at their doorstep. Happy that he can go out with a pair of shoes, the incident is forgotten. This then leads to Tom getting arrested for murder when the cops find a shoe print of his by a recently found dead body. Tom is tried and convicted. He’s sentenced to death “the Tuesday after Christmas.” So while the rest of the world is celebrating the holiday season, Ann counts down the days to Christmas… and to the day her husband will be killed. Finally, out of desperation Christmas Eve, Ann offers herself to “Santa Claus” – who also turns out to be one of the policemen that arrested her husband- in an attempt to get him to find the real killer. Ann promises to marry Judd if he can get Tom released. They seal the pact with a kiss. Actors Don Castle and Elyse Knox play Tom and Ann in the film, but the real star is third-billed Regis Toomey as the obsessive Judd. Usually when you see Toomey in a film he plays a straight-as-an-arrow cop, so when he turns out to be Ann’s creepy “Santa Claus” –and later even more- boy was I surprised. This is a treat of a film. The mystery story, at first confusing and unbelievable, turns out to be logical and clever. The film was directed by William Nigh, who knocked out a large amount of films in the 1930s including a handful of Mr. Wong mysteries. Nigh’s direction is stagy but some of the outdoor scenes, especially when Ann meets Judd at night by flashlight, have a shadowy film-noir look. There are some nice supporting players in the film too. Look out for Charles D. Brown, Esther Michelson (her only credited screen role as the nice Jewish lady who gives Ann a tiny Christmas tree), and everyone’s favorite Tito Vuolo.
Broken mirrors, black cats and two dollar bills. I Wouldn't Be in Your Shoes is directed by William Nigh and adapted to screenplay by Steve Fisher from a story by Cornell Woolrich. It stars Don Castle, Elyse Knox, Regis Toomey and Charles D. Brown. Music is by Edward J. Kay and cinematography by Mack Stengler. Hoofer Tom Quinn (Castle) is convicted of murder on circumstantial evidence. Sentenced to death row, Tom must hope his wife Ann (Knox) can find the proof of his innocence before his date with death. Pretty routine noir exercise this one, but definitely of interest to film noir lovers looking for something they may not have seen before. In true noir fashion fate and coincidences play a huge part in the narrative drive, as does a bit of obsessive yearnings and questionable moral standing. The look is nifty, very noirish when the prison or the church is involved, or the nighttime shots in general, while there's a quirky edge to proceedings that always keeps the pic interesting. The ending is a disappointment (in true noir terms), and apart from the always reliable Toomey, the acting only just about passes muster, but it's worth a look see, even if it isn't the under seen gem some would have you believe... 6/10
A bank employee uses a loophole in Argentine law to concoct the perfect crime, planning to reap the rewards of his embezzlement after serving six years in prison…
Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
An assassin named Tae-goo is offered a chance to switch sides with his rival Bukseong gang, headed by Chairman Doh. Tae-goo rejects the offer that results in the murder of his sister and niece. In revenge, Tae-goo brutally kills Chairman Doh and his men and flees to Jeju Island where he meets Jae-yeon, a terminally ill woman. Though, the henchman of the Bukseong gang, Executive Ma is mercilessly hunting Tae-goo to take revenge.
A man convicted of murdering his wife escapes from prison and works with a woman to try and prove his innocence.
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Alicia Conde is famous and successful cabaret singer is going to marry Octavio and quit her career. But this Octavio turns to be a gambler and in a few months he loses all family's fortune. Alicia decided to come back to that cabaret and sing again. The cabaret owner Don Lalo wants her to be his love and his girlfriend Elena finds out about it. She kills him and makes people and police think that Alicia is guilty for this murder. Being imprisoned Alicia must find a prove that she's innocent. And the only prove is a VHS with the record of that murder which was stolen from Elena by her ex-lover. Alicia goes through beatings, humiliation, takes drugs and finally faces with Elena and her ex-lover to get the prove of her innocence...
Charlie Taylor gets a surprise release from jail after a year for a crime he denies committing. His songwriter girlfriend Randi is glad he's back and calls on an ex-boyfriend, Carl Olsen, to get Charlie a job. Carl, now a district attorney in the Malibu area, hooks Charlie up with Emma De Layle, the sultry wife of an ill but still-powerful rich man. She wants Charlie to be the middleman in a fake kidnapping of her step-daughter, Melissa, who's in on the plot because she wants cash to break free of dad and Emma is happy to have her leave. Things are bound to go wrong, and Charlie may be left holding the bag yet again. Who's pulling all the strings in this web of intrigue?
Tensions rise when a U.S. military base is built in a small village in post-war Germany.
In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his chauffeur's son is kidnapped by mistake.
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
Chronicles the rise and fall of the organised crime syndicate known as Murder, Incorporated, focusing on powerful boss Lepke and violent hit man Reles.