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Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Classy, Feverish, a Mess? The second feature film directed by future critical darling Stanley Kubrick, Killer's Kiss isn't a particularly good film. With its very basic "B" film noir plot, choppy editing, post-dubbing and "interesting" acting from the unknown cast, the film should really be a chore to get through. However, it represents a worthwhile investment of our time for two main reasons. One is of course to witness the early work of a most revered and talented director. The other is because of some indelible images that exist within the piece, images crafted around authentic New York locations. The plot revolves around Davey Gordon (Jamie Smith), a 29 year old New York boxer at the end of his career, and his relationship with a dancer and her violent employer. Love, violence and revenge all crammed into one sweaty New York weekend. Kubrick co-wrote the screenplay with Howard Sackler, he also edited, co-produced and photographed the picture himself. All financed by cash generated from friends and family of the novice director. While there is nothing to write home about in the writing, certainly there is no hint of the creative writing flair Kubrick would show later in his career, it's with the visuals - and to a lesser extent - the sound work, that this shows that the powerful director was quick out of the traps. The whole film comes across as some feverish fairy-tale, one which at frequent moments shifts to some sort of surrealistic nightmare. The effects are aided by the use of negative film stock and the tilting blend of opposing character scenes. Sexual aggression segues with a brutal boxing match, and a ballerina dancing sequence takes one away from the hustle and bustle of the loud streets. Streets where bizarre fez wearing musicians prance about gaily and where shadowy figures follow men down alleyways to enact a brutal crime. All distorting, memorable stuff, capped off by an axe fight in a mannequin factory, the dismembered parts used not only a weapons, but also as a point of reference to the weird thematics laid down by Kubrick. With stark black and white imagery augmented by the harsh music, and Kubrick dallying with close ups and low angle camera shots, Killer's Kiss is never less than engrossing from a technical viewpoint. Think of it like that weird dream you had when you had taken too much cough syrup that one time, and you will then be half way there... 6/10
Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood. He's a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois's journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois' long-time customers says: "This has nothing to do with the trees anymore."
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.
Every night while the city sleeps, Ahmad, a former Pakistani rock star turned immigrant, drags his heavy cart along the streets of New York. And every morning, he sells coffee and donuts to a city he cannot call his own. One day, however, the pattern of this harsh existence is broken by a glimmer of hope for a better life.
Jimmy Kilmartin's an ex-con who's trying to go straight. But he can't say no to a quick driving job because his so-called friend's life is threatened. The job is for Little Junior Brown, a violent and powerful villain. When things go wrong, Jimmy is left to do the time, and his whole life is turned upside-down, but if that wasn't enough, the cops won't leave Jimmy alone when he gets out... They want Little Junior Brown.
After surviving a stabbing by a student, teacher Trevor Garfield moves from New York to Los Angeles. There, he resumes teaching as a substitute teacher. The education system, where violent bullies control the classrooms and the administration is afraid of lawsuits, slowly drives Garfield mad.
A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him, and lead a better life outside NYC.
An alienated teenage boy runs away from home and ventures to New York City where he falls in with a gang of juvenile delinquents working as drug dealers and pickpockets for a shady crime boss.
A gay man living through the HIV/AIDS crisis reflects upon his recent history of loss with the help of his grandmother, who tells him a story of her own trauma and loss during the Jim Crow-era South.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.