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Alec Guinness quite convincingly throws himself into the title role here in what is otherwise a rather theatrically dry depiction of the last few days in Hitler's Berlin bunker. With the Allies closing in, the Fuhrer is becoming increasingly desperate, increasingly frustrated and even more mistrusting of those around him. Those once trusted and powerful are being summarily dismissed; his rantings are becoming even more maniacal and his mood swings vacillate wildly so that even the most deft at dealing with him have to tread on eggshells else a firing squad might still be his response. Central to controlling him, insofar as that's possible, is his mistress Eva Braun (Doris Kunstmann) - but even she faces quite a challenge as he sees traitors everywhere and she has to contend with the inevitable for both herself and their children. The supporting cast makes up a powerful who's who of international cinema with Adolfo Celi standing out as the stoic General Krebs, Mark Kingston as the odious Martin Boorman and John Bennett as Josef Goebbels also contributing well to the sense of claustrophobic isolation in the bunker. The audio editing also works well, increasing the sound effects gradually to suggest the imminent arrival of their foes. To break up the rather visual monotony of the thing, it's interspersed with some fairly horrific actuality that illustrates not only the terror the Nazis inflicted on others, but also the extent to which Hitler was prepared to use every resource, even his Youth Movement, to sustain his flailing grip on power. I think this would work better on stage, it lacks an intensity here on screen that despite the best efforts of it's star just doesn't quite get off the ground, and it's also just a bit too verbose to sustain the potency of the sense of imminent threat.
Follow Robbie Williams' journey from childhood, to being the youngest member of chart-topping boyband Take That, through to his unparalleled achievements as a record-breaking solo artist – all the while confronting the challenges that stratospheric fame and success can bring.
Two stories for the price of one: a video store clerk tries to get acquainted with a waitress; a man beats his pregnant wife, unaware that her brother is a violent racist.
Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.
A biography of the Belgian nun Jeannine Deckers, who became a popular singer in the early 1960s and struggled with the contradiction between the church and her true self.
From double BAFTA nominated Writer and Director John Walsh. Monarch is part fact, part fiction and unfolds around one night when the injured ruler arrives at a manor house closed for the season.
A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.
American soldiers, led by The Sarge, are stuck behind Nazi enemy lines. As they make their way across the Italian countryside, they come across an alien spaceship that has crash-landed in the woods. The alien pilot is dead, but one of the ship's passengers is on the loose. As the GIs hunt down the alien by splitting into smaller groups, they're not only tracked by the Nazis, but also a whole host of other aliens come to save their stranded party.
Story of Joseph Brant, chief of the Mohawks, and the events that led to the birth of Canada as a nation. During the time of the American Revolution, while Britain faces full scale insurrection in its American colonies, the great Indian empire of the Six Nations must choose between longtime British allies and the American Patriots, whose democratic ideals they share.
The story of the life and career of the baseball hall of famer, Lou Gehrig.
Produced and directed this documentary for BBC in the 1980’s, about David Gulpilil, acclaimed Australian Aboriginal actor, dancer and musician. The film shows how Gulpilil is always working to bridge the gap between the tribal Aboriginal and Western worlds. He divides his time between a traditional tribal lifestyle and his artistic work, which has included major film roles, collaboration with contemporary dance and music groups and teaching Aboriginal dance and culture. Bill and David travel to Hollywood where David was the most popular Australian in the world at that time, with FOUR films playing in America – WALKABOUT, STORM BOY, THE LAST WAVE and MAD DOG MORGAN. After relating to both the black and native American cultures and filming a quick scene for a big Hollywood picture, he pines to head back through the Outback to his beloved Arnhem Land. Edited by Simon Dibbs and shot by Ray Henman.