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**A film about idealisms, utopias and harsh realities, which could be much better than it is, but is still good enough to be worth it.** There are many movies about romance and love in times of war. John Duigan gives us a film about love, but also about hopes for the future, utopias and the way war and human cruelty end it all in an instant. That old story of idealism versus reality. The film is good, but as a drama it is a little inconsistent and does not work from a romantic point of view. The script begins with the unusual meeting between a young Irish student named Guy and a beautiful and liberal French heiress, Gilda Bessé. They have an affair that, years later, they will resume in Paris, including the young Spanish Mia. The ménage-a-trois ends up when Guy and Mia go to Spain to help the republicans in the Civil War. The defeat in the war and the German invasion of France will later condemn Gilda to a difficult survival, as the lover of an officer of the invading troops... and I really don't want to say more because it would spoil the pleasure of watching the film. As I said, the movie is good, and it has a good story. The problem is that there's a lot here, and there are several sub-plots that come out of nowhere and end up not resulting in anything: it's the case of the tense relationship between Gilda and her rich father, or what happens to Mia's brother. Very little consistency and dramatic solidity, in a script that seems fragile at various times. I'm even willing to forgive that... but it's hard to ignore the way the film confuses love with sexual horniness. Gilda Bessé seems to be anything but a romantic or passionate young woman, and the relationship between her and her partners is very sexual, but not exactly rosy. Despite having a pretty good cast, there are only three actors who really deserve a note and highlight. Penélope Cruz is quite believable in her character, but the director doesn't give her anything that really allows the actress to do something really memorable. Her character is cold, a little shy, and the actress has the ability to impress us more. Stuart Townsend does what he can in his character, but he's not "nerdy" enough for the character he's been given. He's elegant, he's handsome, but that's about it. He's not even an actor who seems capable of combining beauty and intellect in the same character. This makes me think that he was only cast in the film because he is the husband of the remarkable Charlize Theron who, in fact, is the soul of the film and gives us an extraordinary performance, where beauty, sexuality, drama and suffering are perfectly matched. Technically, it's a restrained film, standard Hollywood at the time. There are some aspects that were very well-used, such as the original footage of the war, in black and white, and the way in which the sets and costumes were designed and recreated, managing to show the passage of years and the evolution of the characters very well. The soundtrack, however, could be better, while the cinematography seems a little disconnected from the rest of the work.
In 1942 the Germans devised an operation to introduce in Egypt spies to provoke a rebellion against the British.
A young couple gets ready for a ceremony. Emilia is not dressed yet and Pietro is struggling with his tie and also very annoyed about a speech he has to give. While they talk around their house, time travels back and forth revealing different phases of their life.
Three brothers find themselves sharing a home with the alluring new wife of the middle sibling. As they become infatuated with the same woman, a complex and enthralling tale ensues in this tropical paradise.
Zodiac Crush is a captivating reality TV movie that explores the fascinating world of astrology and numerology in the context of dating. The movie centers around a star bachelorette who is on a quest to find her soulmate, and she does so by dating five guys, each representing a unique star sign and life path number. Throughout the movie, the bachelorette goes on a series of dates and engaging challenges with her suitors, and viewers get to witness the highs and lows of each encounter. Along the way, the bachelorette receives expert guidance and predictions from astrology and numerology experts, Mike Anthony and Rachel Black, who help her navigate the complexities of compatibility based on star signs and numerology.
During the Second World War, an old fortress is transformed into a detention camp for arrested allied generals who the Germans provide with every possible comfort. In the nearby garrison camp, however, hundreds of captured private soldiers try to survive hunger and cold.
Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination on his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead. Beautifully shot and darkly ironic, Karel Kachyna’s forgotten masterpiece jumbles reality, memory and fantasy to capture the intensity and confusion of childhood in a war zone.
Nina and Madeleine have been sharing their lives and the landing between their two apartments for decades. After more than 20 years of loving in the shadows, Madeleine promises Nina she will tell her family the truth. It takes an unexpected event to show her the importance of living your truth.
In 1942, a convoy of 35 civilian ships, carrying vital supplies from Iceland to the Soviet Union, faces deadly challenges in the Arctic. Despite Allied naval escort, catastrophic intelligence errors expose the convoy to relentless German air and naval attacks. In the brutal conditions, inexperienced civilian sailors fight for survival, with only 12 ships making it to their destination.
In a not-too-distant future, where everything has completely unraveled into chaos, the Ministry of Intergalactic Crises urges citizens to abandon Earth before the inevitable unfolds, offering interplanetary flights to the J-18 orbital settlements. Meanwhile, in a desolate bar—perhaps the last bar standing—23 minutes before the final flights depart, a couple wrestles with a decision: is it time to end their tumultuous relationship once and for all?
