The Boys in Brazil

2112 was the album that saw Rush break through to major chart success, going to No.1 in their native Canada and Top 75 in the USA where it would eventually be certified triple platinum. Moving Pictures opened them to a mass audience for the first time and remains the biggest selling album of their career. It also went to No.1 in Canada and went quadruple platinum there while hitting No.3 in both the UK and USA. Rush members Geddy Lee, Alex Lifeson and Neil Peart talk us through the making of the albums, together with original producer Terry Brown via interviews, demonstrations, archive videos and use of the original multi-track tapes.

On what was supposed to be an ordinary day for Dull, his whole life gets turned around when he finds a golden ring giving him the power of super speed. But is it more than he bargained for?

When a reckless snob returns to his hometown after causing a horrific traffic accident, the repercussions of his past quickly catch up to him.

Following the success of Rush: Cinema Strangiato - Director's Cut in movie theaters worldwide, Anthem Entertainment and Trafalgar Releasing give Rush fans around the world the opportunity to experience it again – this time from the comfort of home. In celebration 40 years of Moving Pictures, this global streaming release features the “director’s cut” of 2019's R40+ event that was just shown in cinemas, giving audiences a special look into R40 LIVE, with a setlist including this year’s new additions of bonus tracks "One Little Victory" and “Red Barchetta” as well as "Cygnus X-1 / “The Story So Far” featuring Neil's final recorded drum solo masterpiece.

After leaving work a woman goes home unaware of a sinister presence following her.

An Accidental Life is a deeply personal and vulnerable portrait of Quinn Brett, an ambitious, record-setting climber who strives to make meaning out of tragedy in the years following a near-fatal rock climbing accident on El Capitan that left her paralyzed.

Over the course of a single night in Nashville, Oscar, Golden Globe and GRAMMY nominated songwriter Tom Douglas narrates a letter of hope to a desperate world.

Together with African small farmholders Tony Rinaudo, an Australian agronomist, has been fighting against the spread of the desert for 30 years and challenges ideas of conventional reforestation with his simple yet effective method.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Six people recall the languages that cradled their childhoods: Judeo-Spanish or Judeo Arabic, or Judeo-Persian. Today, the languages themselves are dying but they left traces that still work on those who heard them as children.

Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking. Written by KARLOVY VARY IFF 2006