L'arrivée d'un train à La Ciotat

Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.

After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Short documentary about the Gentse Floralien.

Short documentary on the Antwerp Ford Motor Company plant.

Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

The Oil Symphony is a film about the heroic efforts of Azerbaijani labourers drilling for oil.

The camera slowly pans through a room as Smolders offers various observations and memories.

This short film served as an invitation to the World's Fair that was held in Montreal in 1967. It was largely considered to be the most successful World's Fair of the 20th century with over 50 million visitors. The film presents impressions of the event and of Montreal at its liveliest and most exciting moment in history.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.