War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I started out quite enjoying this outing for Tyrone Power but by an hour in, I was really rather disappointed. Keen to follow in his grandfather's footsteps, he is the aspiring toreador "Gallardo" who is panned by critic "Curro" (the scene stealing Laird Creggar) as a fifth rate ring entertainer. He is determined to not only make his fortune, but to become famous and return to his village where he can claim the hand of childhood sweetheart "Carmen" (Linda Darnell). Thing is, success can be a double edged sword and at the top of his game and fame he is espied by the glamorous and rather manipulative "Doña Sol" (Rita Hayworth) who is determined to... well you can guess the rest. That's maybe the problem for me. It begins as a drama that looks at the sometimes rather brutal life of a bullfighter (rightly or wrongly) in a way that reminded me of many films about boxing. This sport really was the only way many people - not just those in the ring, but their friends and families too - could escape the cycle of poverty. It also illustrated quite well just how toxic the power of unfettered adulation can be when the object isn't maybe the strongest emotionally. The second hour does fall away, though, and we flirt just too closely with melodrama as Alfred Newman's score becomes just a bit too prominent (and indicative of what's to come). Anthony Quinn chips in quite well as the bitter "Manolo" but not really enough to keep the action elements on top. You can easily see the drawing power of both Power and Hayworth here, but the story itself let me down.
José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
Two con men selling phony stock flee to Mexico ahead of the law, where they run into a woman friend from their earlier days, who is now a bullfighter.
The bullfighter Marcial Lalanda financed and starred in this film about the rivalry between two bullfighters for the ill-fated love of the same woman. It features scenes of bullfights shot by Enrique Blanco using polychromatic film for the first time in Spain. Considered one of the greatest Spanish silent films.
Based on the famous book by Jules Verne the movie follows Phileas Fogg on his journey around the world. Which has to be completed within 80 days, a very short period for those days.
A group of disillusioned American expatriate writers live a dissolute, hedonistic lifestyle in 1920's France and Spain.
Follows the tale of a young woman’s sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. Her friend and butler accompany her and help to arrange her couplings.
Two men share an odd friendship while they care for two women who are both in deep comas.
In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.
The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.
Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.