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Spot the cameo in 5 Oscar winning epic. Based on the wonderful writing from Jules Verne, Around the World in Eighty Days is just shy of three hours, this was my first ever visit to the film and my reaction is mainly positive, though tempered with a small sense of unfulfillment. Phileas Fogg takes a wager from his fellow London club members that he can't circle the globe in 80 days, this it should be noted is 1872 where transport was not of the fast and dynamic variety. Fogg and his trusty servant Passepartout, set off on a journey that brings many adventures, and many humorous scrapes. They meet a wonderful array of characters and travel on many forms of transport, it is in short a magical journey. The production here from Mike Todd is gargantuan, the sets are incredible, the multiple locations befit the multi cast of actors that grace the film (have fun playing spot the star in this one). The costumes and the score are spot on, while Lionel Lindon's cinematography rightly won the gold award because it's lush and cloaks the delightful story with a number of treats for the eyes. David Niven is perfect as Fogg, whilst Cantinflas as Passepartout is perfect foil for Fogg's staid stiff upper lippery. Yet in spite of it's obvious beauty the film is a touch overlong, some scenes are padded far too much when surely a shorter take would have made its mark equally enough? I was surprised by the ending being so short and sweet, yes, sure it's fitting, but after sitting through just under 3 hours of film you are not being unreasonable to expect a grand fanfare type of ending. Still, it doesn't take away from this being a good cinematic achievement. As to if it stands up to repeat viewing? I'll have to see on that one... 7.5/10
I so wanted to like this film. An unsurpassable cast delivering a story depicting the ultimate in compendium storytelling. What could go wrong? Well, sadly - quite a lot. David Niven is fine as the dapper sophisticate "Fogg" who along with his gentleman's gentleman of one whole day "Passepartout" (the acrobatic Cantinflas) accepts a bet from some toffs in the Reform Club that he cannot circumnavigate the world in 80 days. Steam trains, balloons, ships, camels, horses, even a paddle-steamer facilitate their travels with just about every movie star on the books joining in as our tour of the world offers us colourful and entertaining escapades from many different countries and cultures. There is a sort of chemistry between the two travellers, but they are all to often apart on screen, and sadly I thought, it is the very diversity of the stories that lets this down. It is too episodic: the narrative frequently lacks cohesion, often little better than a colourful, occasionally pithy, travelogue and even the mischievous contributions from a super Robert Newton ("Insp. Fix") who reckons "Fogg" is really an infamous bank robber, and the delightful antics of Shirley MacLaine as the "Princess Aouda" can't really redeem or sustain it. It is long, but that needn't have been a problem (at least it isn't 80 days) it's just flat, somehow - so much more could have been going on, but wasn't. To be fair, it does hot up in the last twenty minutes or so, as their quest comes to a head but that isn't enough. The technical aspects are flawless, however - particularly the photography; with the costumiers facing a sartorial Herculean task and Victor Young's score is suitably international in it's themes and well worthy of his Oscar. Maybe it just had too much time and too much money but somehow it's all a wee bit disappointing.
A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.
During the 1930s in England, a group of young socialites dominate the national gossip with extravagant and outlandish antics. Among the group is the aspiring novelist Adam Fenwick-Symes, who is attempting to raise enough money to marry fellow member Nina Blount. However, after customs officials confiscate his first manuscript, Fenwick-Symes must recover from the financial setback and figure out new ways to earn money for a wedding.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, some cops, and legendary brawler Tank Murdock.
When the clever but socially-awkward Tetê joins a new school, she'll do anything to fit in. But the queen bee among her classmates has other ideas.
A movie for the Sci Fi Channel based on the book series by Philip José Farmer. The location is Riverworld, a mysterious and treacherous land where every human who died between the years 99,000 BC and 2,200 AD has been resurrected on the banks of a huge river.
A brother and sister move into an old seaside house that has been abandoned for many years on the Cornwellian coast. They soon discover that it is haunted by the ghost of the mother of their neighbor's granddaughter, with whom the brother has fallen in love.
A young Aji Mathew is a communist who goes the whole nine yards for the ideologies he believes in. When the girl he loves leaves to the US out of the blue and her parents fix her wedding, Aji is left with just a fortnight to reach the country albeit with no passport or visa. How far he is willing to go for love forms the plot.
In 1900s India, Calcuttan zamindar Devdas Mukherjee — unable to marry his lover — takes up alcohol and the company of a courtesan to alleviate the pain.