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Expedition X - (Mar 6th)
All In with Chris Hayes - (Mar 6th)
Richard Osmans House of Games - (Mar 6th)
The Price Is Right - (Mar 6th)
Shifting Gears - (Mar 6th)
Chicago Med - (Mar 6th)
Abbott Elementary - (Mar 6th)
Home Sweet Rome - (Mar 6th)
The Beat with Ari Melber - (Mar 6th)
Tipping Point - (Mar 5th)
The Young and the Restless - (Mar 5th)
Lets Make a Deal - (Mar 5th)
The Kelly Clarkson Show - (Mar 5th)
The Bold and the Beautiful - (Mar 5th)
Green Eyed Killers - (Mar 5th)
Deadline- White House - (Mar 5th)
Clean It, Fix It - (Mar 5th)
The Last American Vagabond - (Mar 5th)
Piers Morgan Uncensored - (Mar 5th)
The Tucker Carlson Show - (Mar 5th)
**It's not an easy film, it won't please everyone, but it presents a good story and excellent actors in another very well executed dramatic exercise.** This movie is about an elderly couple, who live a peaceful and happy life. They don't have anything that makes them special, they could be our parents or grandparents. They simply have a stable and quiet life, without any fuss and solidly founded on a past of companionship built on a happy marriage. Perhaps for this reason, they end up being a kind of “shelter” for friends and family in a more distressing situation. After seeing the film, I got the feeling that addiction is a theme very present in the narrative: if we look closely, the characters who approach this peaceful couple are, quite evidently, consumed by their own addictions, building over them several fears and paranoia. Alcohol abuse, sedentary lifestyle, vanity, are bad habits that they carry and that dominate them, despite the efforts of the friendly couple to support them, and the way the anguished characters manage to capture our sympathy. The script works well with all of this, and although the film takes a while to get there, it really grabs our attention and manages to hold us intelligently, with high doses of realism giving it all a bonus of welcome credibility. Jim Broadbent and Ruth Sheen deserve praise for the way they gave themselves to their characters and gave them body, shape, voice and personality. The two actors are veterans and have already given solid proof of their quality, but the way they presented themselves here is impeccable and really pleasant. I also liked the performance of Oliver Maltman and Lesley Manville, who give life to two other characters of great importance in the story. As with a series of other dramas that focus on the relationship between characters, the film is strongly committed to the creation of a solid script, good dialogues and a strong, quality cast. Technical issues were left in the background, but they are guided by discretion and functionality that borders on pragmatism. The movie is a little slow, but I have an idea that this was intentional.
Catherine, a young British sexworker living in Paris, decides to start her own "company" after learning the basics of big businesscom from her clients. She encounters both interest and setbacks in her search for investors.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
Tokio Takenaka (48) is a scriptwriter who's lost his passion for his work, and whose relationship with his wife Madoka (37) has turned sour. He spends his days lost in a haze. One day, a girl named Yoshimi Yokoyama (21) barges into his office, saying that she's a huge fan of his work and aiming to be a scriptwriter herself. Overcome by her enthusiasm, he agrees to take her in. As they work together, he begins to sense her talent as a writer, and at the same time, comes to feel sexually attracted towards her. Soon he's writing scripts that he's proud of again, and begins to feel fulfilled in both his private and work lives. But it doesn't take long before he learns about her boyfriend and fellow scriptwriter Hideo Tanaka (20). He becomes madly jealous, but.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.