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The story centers on Professor Filipp Filippovich Preobrazhensky, a brilliant but arrogant surgeon, who believes he can improve humanity through scientific intervention. He performs an experimental operation, transplanting the pituitary gland and testicles of a recently deceased human alcoholic and criminal, Klim Chugunkin, into a stray dog named Sharik. The experiment is initially a success, as Sharik transforms into a humanoid creature, named Polygraph Polygraphovich Sharikov. However, Sharikov embodies the worst aspects of his human donor: he is crude, aggressive, and opportunistic. He quickly becomes a disruptive force in Professor Preobrazhensky's life and the surrounding communal apartment. Sharikov, fueled by his newfound human status and a rudimentary understanding of revolutionary rhetoric, becomes a member of the local housing committee, empowered by the zealous and equally inept Comrade Shvonder. He abuses his position, wreaking havoc and threatening the professor's comfortable lifestyle. Professor Preobrazhensky, horrified by the monster he has created, realises the catastrophic consequences of his hubris. He ultimately reverses the experiment, transforming Sharikov back into a dog. The film vividly portrays the chaos and uncertainty of post-revolutionary Russia. The old social order is crumbling, and new, often ill-prepared, individuals are thrust into positions of power. The housing committee and Sharikov's rise symbolize the dangers of unchecked authority and the erosion of traditional values. Bulgakov's satire exposes the inherent flaws in human nature, regardless of social class or political ideology. Sharikov's transformation reveals the animalistic instincts that can lurk beneath the surface of human behaviour. The story serves as a cautionary tale against the dangers of attempting to radically transform society through artificial means. The film demonstrates that forcibly altering human nature can have unforeseen and disastrous consequences. The film suggests that tampering with the natural order can have unintended and destructive results. That you cannot create a "new man" by simply changing external factors. ##This review has been created with Gemini 2.0 Flash
In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.
Animals on a farm lead a revolution against the farmers to put their destiny in their own hands. However this revolution eats their own children and they cannot avoid corruption.
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.
Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?
Eddie is a Vietnam veteran who loses his arms and legs when he steps on a land mine, but a brilliant surgeon is able to attach new limbs. Unfortunately an insanely jealous assistant (who has fallen in love with Eddie's fiance) switches Eddie's DNA injections, transforming him into a gigantic killer.
