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Baby Invasion 2024 - ()
McVeigh 2024 - ()
Riff Raff 2024 - ()
High Ground 2025 - ()
ODessa 2025 - ()
Hamlet 2024 - ()
Hard Truths 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
The Twister Caught in the Storm 2025 - ()
Novocaine 2025 - ()
DSLR 2025 - ()
One Night in Tokyo 2025 - ()
Midwinter 2024 - ()
Flight Photographers 2025 - ()
American Terror Tales 3 2024 - ()
Bert Kreischer Lucky 2025 - ()
Dead Teenagers 2024 - ()
Wolves Against the World 2024 - ()
Bill Squire Were Getting Famous 2024 - ()
Andrew Orvedahl Doom Math 2024 - ()
I'm not going to attempt to find loads of cinematic superlatives about this. It's just a great film that depicts the epitome of cruelty, indifference and kindred spirit at sea in spades. The crew of this powerful warship are treated little better than prisoners in a gulag. When the ship's doctor insists that their daily meat ration (which could "jump into the water by itself") is safe to eat, a few of them decide to take a stance. Their officer humiliates them, and when they refuse to back down he corners them on deck and orders them shot. This proves the flashpoint for his crewmen who proceed to seize the ship and sail to Odessa where they turn the guns on the army headquarters in the city and the conflagration grows. Will others join them, or will the status quo be returned and their ship destroyed...? Historians have already told us the answers to most of the factual questions, so it's not really about what happens - it is the magnificently poignant and suspenseful fashion in which Eisenstein paces the film. Clearly he has an agenda, his depictions are not exactly even handed - particularly the soldiers in the town dealing with the civilian population, but that doesn't overwhelm the overall sentiment of the sailors rebelling for just reasons, for decent treatment and for a degree of respect that was certainly lacking from their officers. The production itself is superb, the camerawork has an intensity that makes you feel as if you are actually on the boat at times. I'm sure there are more analytical reviews of this film to be had - but I think it is just a wonderful example of a man at the top of his game making an exciting film that delivers entertainment and a bit of thought-provocation in equal measure, at the same time.
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
Lieutenant Thomas Glahn, a hunter and ex-military man, lives alone in a forest hut with his faithful dog. Meeting Edvarda, the daughter of a merchant, they feel strongly attracted to each other, but neither understands the other's love.
An army pilot is visiting the home of another army pilot in a neighboring country, and falling in love with his sister, when war breaks out.
16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi.
Faithful wife Melinda, who is tired of standing by her devious husband Robert, is enraged when it becomes clear she has been betrayed. That's when she lost it, and now she cannot let it go.
During the last desperate months of World War II, an Allied mission to regain Ramree Island off the coast of Burma ends in horror when an embattled group of soldiers find themselves trapped in dense swampland infested with deadly saltwater crocodiles. As the men are picked off one by one by the hungry reptiles, those that remain resort to increasingly desperate measures to survive the onslaught of carnage and get off the island alive.
The last days of World War I, Eastern front. Captain Conan, a lone wolf, a true warrior, leads a band of ruthless French fighters who love hand-to-hand combat; they are not fit for peacetime, they only feel really alive in the chaos of the battlefield.
Kang-soo is a third-rate street thug in Busan; he's an alcoholic and gambling addict who's always on the run from loan sharks. But when his rebellious teenage son Jong-chul is diagnosed with kidney cancer, he tries to be a real parent for the first time and seeks out Jong-chul's biological father, Tae-suk, a pimp. Tae-suk, however, refuses to help.
After his wife falls under the influence of a drug dealer, an everyday guy transforms himself into Crimson Bolt, a superhero with the best intentions, though he lacks for heroic skills.
Outwardly a chilling portrait of the aimless lives of unemployed inner city youths living on society's fringe, the underlying message of this volatile drama seems to call for violence to rectify social injustices. The film centers on two teenaged gangs who basically terrorize their neighborhoods with their anarchic behavior. There are few limits to their unpleasant philosophy of "desire equals acquisition." The loosely structured tale reaches its climax at a concert where the two rival groups collide.
In a small English coastal town, three teenage boys are drawn into a world of temptation and violence. Bored, troubled and excluded, the boys are unable to accept or even recognise moral boundaries. Their actions move inexorably towards a truly shocking act, that will horrify their sleepy community and expose its deepest, hidden fears.