War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Yes, I know my rating for this is a tad high, but I just love both Randolph's work in general and Angela Lansbury at this really sexy juncture of her career. They have a really good chemistry together, even though the age difference is a shade on the 'Love in the Afternoon' or 'Lolita' side and can be a bit unnerving. Though I've enjoyed other Joseph H. Lewis films, such as 'Invisible Ghost' and 'Gun Crazy', he still doesn't have the touch for Western material that Scott would later enjoy in his collaborations with Budd Boetticher. It's not as dramatic a difference as comparing apples and oranges, but it is noticeable. At least when it comes to Westerns (I haven't seen other types of films by Boetticher), the guy's definitely an auteur, on the level of, say, an Anthony Mann, Howard Hawks or even John Ford. Very enjoyable, and a work of distinguished quality, definitely worth owning and re-watching.
Funny how a man softens to another when once he's killed him. Marshal Calem Ware (Randolph Scott) is tired of Medicine Bend, tired of killing and tired of reprobates trying to kill him. He's also haunted by pain in his past. So when the past resurfaces and yet another scum-bag turns up to put out his light, Calem faces what he hopes will be the final day of reckoning. Brought to us by the Scott/Brown production company, A Lawless Street is directed by Joseph H. Lewis, adapted from a Brad Ward story (Marshal of Medicine Bend) by Kenneth Gamet and features cinematography from Ray Rennahan at French Ranch - Hidden Valley Road, Thousand Oaks in California. Joining Scott in the cast are Angela Lansbury, Warner Anderson, Jean Parker & Wallace Ford. This film came a year before Scott would do Seven Men From Now with Budd Boetticher, the start of which was a run of "adult" Westerns that showcased the best of both Scott and the Western of the 50s. So it's not unsurprising to find that "A Lawless Street" is some way short of the quality of the Boetticher/Scott movies. In fact, Scott may not just be in character for the film, he looks genuinely tired, which is in keeping with the very tired feel of it all. It has proved to be a pretty divisive film amongst Western purists, the routine story not helped by the fact it has been done to perfection before in other, more notable genre pieces. While the script also lacks vim and vigour and Scott is surrounded by very average actors. The ending fizzles out after the promise of so much more, and in fact it's ponderously drawn out. Yet the first half of the film saves it from being a stinker, Lewis' camera-work is fluid and fist fight fans are served up a treat. And we even get Lansbury flexing her tonsils for a delightful little ditty. So it's very much a film of two differing halves, one that sadly doesn't make for a satisfying whole. Much like Switzerland, I'm staying neutral with it, a 5/10 rating is given on proviso that it's noted that where Scott and Lewis are concerned, I'm unashamedly biased.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Jack, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!
A rancher comes home and finds that his son has been murdered and his daughter kidnapped by a bandit gang. He hires a professional tracker with a reputation for finding his quarry to help him find the gang and rescue his daughter.
The Durango Kid is a sort of Robin Hood of the West who helps the lovely Walters (who replaced Starrett's usual love-interest, Iris Meredith), the daughter of a homesteader, defeat the evil MacDonald who has been terrorizing the decent citizens with his gang of rustlers.
A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Sandy Doyle, gambler and political chief of a small border town, seeks to gain control of the Bar-X Ranch, owned by Rufe Rickson, to further some undercover activities of his own. He counts on Rickson's inability to stay away from gambling as the means to his ultimate success. Government investigator Oliver Shea and his assistant, Dan Haggerty, start a fight in Doyle's place when they see Rickson being cheated and are invited to the Bar-X where Oliver and Helen Rickson, Rufe's daughter, discover interest in each other and Dan finds himself pursued by Bell, the ranch cook. Sheriff Larson brings the prize money for the $5,000 race of the Rodeo Association, and that night it is stolen.
Cattle baron Matt Devereaux raids a copper smelter that is polluting his water, then divides his property among his sons. Son Joe takes responsibility for the raid and gets three years in prison. Matt dies from a stroke partly caused by his rebellious sons and when Joe gets out he plans revenge.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
A cowhand named Bob Blake visits with Sally Thompson and her kid-brother, Jimmy, on their hard-scrabble homestead adjoining the Steele Ranch where Bob works. He learns that their father just died, and he plans on seeing if he can make things a bit easier for them.
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.