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Yes, I know my rating for this is a tad high, but I just love both Randolph's work in general and Angela Lansbury at this really sexy juncture of her career. They have a really good chemistry together, even though the age difference is a shade on the 'Love in the Afternoon' or 'Lolita' side and can be a bit unnerving. Though I've enjoyed other Joseph H. Lewis films, such as 'Invisible Ghost' and 'Gun Crazy', he still doesn't have the touch for Western material that Scott would later enjoy in his collaborations with Budd Boetticher. It's not as dramatic a difference as comparing apples and oranges, but it is noticeable. At least when it comes to Westerns (I haven't seen other types of films by Boetticher), the guy's definitely an auteur, on the level of, say, an Anthony Mann, Howard Hawks or even John Ford. Very enjoyable, and a work of distinguished quality, definitely worth owning and re-watching.
Funny how a man softens to another when once he's killed him. Marshal Calem Ware (Randolph Scott) is tired of Medicine Bend, tired of killing and tired of reprobates trying to kill him. He's also haunted by pain in his past. So when the past resurfaces and yet another scum-bag turns up to put out his light, Calem faces what he hopes will be the final day of reckoning. Brought to us by the Scott/Brown production company, A Lawless Street is directed by Joseph H. Lewis, adapted from a Brad Ward story (Marshal of Medicine Bend) by Kenneth Gamet and features cinematography from Ray Rennahan at French Ranch - Hidden Valley Road, Thousand Oaks in California. Joining Scott in the cast are Angela Lansbury, Warner Anderson, Jean Parker & Wallace Ford. This film came a year before Scott would do Seven Men From Now with Budd Boetticher, the start of which was a run of "adult" Westerns that showcased the best of both Scott and the Western of the 50s. So it's not unsurprising to find that "A Lawless Street" is some way short of the quality of the Boetticher/Scott movies. In fact, Scott may not just be in character for the film, he looks genuinely tired, which is in keeping with the very tired feel of it all. It has proved to be a pretty divisive film amongst Western purists, the routine story not helped by the fact it has been done to perfection before in other, more notable genre pieces. While the script also lacks vim and vigour and Scott is surrounded by very average actors. The ending fizzles out after the promise of so much more, and in fact it's ponderously drawn out. Yet the first half of the film saves it from being a stinker, Lewis' camera-work is fluid and fist fight fans are served up a treat. And we even get Lansbury flexing her tonsils for a delightful little ditty. So it's very much a film of two differing halves, one that sadly doesn't make for a satisfying whole. Much like Switzerland, I'm staying neutral with it, a 5/10 rating is given on proviso that it's noted that where Scott and Lewis are concerned, I'm unashamedly biased.
This western features a singing cowboy, a brave hero, and a bumbling sidekick who band together to defeat a ruthless range boss.
Johnny Mack Brown and Raymond Hatton return to the screen as saddle pals Nevada and Sandy in Monogram's Pals of the Border. In this one, our heroes are US marshals, hot on the trail of cattle rustlers.
Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Read more at http://www.allmovie.com/movie/drifting-along-v90041#OtPRR6jLd1ubhlQv.99
Wanting the Lance ranch, Burkett kills Lance and brings in an imposter to pose as the heir Ken Lance. Ken learns of the plan, captures the imposter, and arrives posing as himself. In an ensuing gunfight a man is killed and Ken is in trouble when not only is he accused of the murder, but the imposter escapes and convinces the Sheriff he's the real Ken Lance.
After Drew Dixon, an upright young man, is sent west by his religious family to avoid being drafted into the Civil War, he drifts across the land with a loose confederation of young vagrants.
Both Harmon and his men and a Mexican gang are after a treasure hidden on the Wilson ranch. Acey learns of their raid and goes to get Ken only to find him in jail for a murder he did not commit.
Dusty Smith arrives and takes a job on a ranch that is losing cattle to rustlers. When the rustlers strike again the cattle cannot be found but Dusty shoots one of the rustlers. Arrested for murder, Dusty is broken out of jail and the real outlaws put in the cell. Dusty then has them released figuring they will lead him to the hideout and the missing cattle.
Starring Ken Curtis and the hayseed singing group the Hoosier Hot Shots, this musical Western is really Lady for a Day with a switch in gender. Rotund Guy Kibbee is Dusty Nelson, the handyman at the Bar B dude ranch, whose daughter Susan is arriving with her socialite fiancee, Jerome Winston. Susan believes her father owns the ranch, and to spare Dusty any embarrassment, the Hot Shots, ranch manager Curt Durant and sidekick Big Boy Stover agree to continue the deception.
Parker, seeking revenge on Culverson, is bringing in a flood of sheep. Branning signs on at the Culverson ranch to help fight them off. Standing in his way is hired gunman and crooked lawyer Sneed. T
The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.