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Edward Dmytryk Crafts The Western King Lear. With both it being based on Shakespeare's King Lear and being a Western remake of Joseph L. Mankiewicz's tasty film noir, House of Strangers, Broken Lance had fine sources from which to work from. Throw in to the mixer that it stars Spencer Tracy, Richard Widmark, Katy Jurado, Robert Wagner and Earl Holliman, and that Joseph MacDonald was director Edward Dmytryk's cinematographer of choice, well it's all set up to be a highly accomplished piece. And it is! Dmytryk's film tells the story of how the Devereaux family came to implode. Father Matt {Tracy}, is a tough no nonsense pioneer who after finding a copper smelter has polluted his water, illegally raids the copper mine with destructive vengeance. Matt has four sons, his three eldest are a disappointment to him, but his youngest, Joe, from his latest marriage to a Commanche woman {Jurado}, is untainted by his own bitterness. But it's Joe who takes the rap for the copper mine raid and gets sentenced to three years jail. When Joe comes out he finds that his brothers have driven his mother away and all but destroyed the family empire, including his father. Joe {Wagner} has scores to settle, especially with the oldest, and nastiest brother, Ben {Widmark}. The screenplay comes from Richard Murphy, who, reworked Philip Yordan's House Of Strangers screenplay, bagging Yordan the Best Writing Oscar at the 1955 Academy Awards in the process. And it's not hard to see why. Murphy and Dmytryk have fused together a number of intelligent strands in their picture. Not merely a tale of vengeance that dallies with black sheep of the family like thematics, it also serves up racial prejudice issues, and those of greed and corruption. It's for sure what one would term a talky piece, tho the copper mine raid itself is a pulse raiser, but it's with the talk and how it's put together that makes Broken Lance worthy of its place on any "Adult Western" list. For its court room sequences and a memorable scene involving Tracy and Widmark alone it deserves praise from the genre faithful. Acting wise there are very few disappointments. Tracy is terrific, as is Widmark, while the youthful Wagner gets away with the obvious problem of him playing a half Indian, by bringing an emotionally honest integrity to the role of Joe. Katy Jurado, who was Oscar nominated for supporting actress, is sweet and showing deft sadness in the thankless role of wife and mother, Señora Devereaux. The itches are with the others, thru no fault of their own really. Both Holliman and Hugh O'Brian as the other two brothers are practically observers in proceedings, both men never really getting to add some weight into the family drama. Jean Peters as Joe's love interest, Barbara, is an important character in the story, yet she's never fully formed. Minor problems aside tho, this is an engrossing and gorgeous picture. So with Leigh Harline's lyrical score complimenting MacDonald's sumptuous Arizona photography {the film was shot in Technicolor CinemaScope and sound mixed in 4-Track Stereo} try and see this on the best system you possibly can, because it's worth it. 8/10
Saint Charles County, Missouri, December 1863. Edmond, a prosperous French perfume merchant, decides to flee to a safer place when the storms of the American Civil War start knocking at his door, threatening the life and fortune of his family.
Sandy Doyle, gambler and political chief of a small border town, seeks to gain control of the Bar-X Ranch, owned by Rufe Rickson, to further some undercover activities of his own. He counts on Rickson's inability to stay away from gambling as the means to his ultimate success. Government investigator Oliver Shea and his assistant, Dan Haggerty, start a fight in Doyle's place when they see Rickson being cheated and are invited to the Bar-X where Oliver and Helen Rickson, Rufe's daughter, discover interest in each other and Dan finds himself pursued by Bell, the ranch cook. Sheriff Larson brings the prize money for the $5,000 race of the Rodeo Association, and that night it is stolen.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
With thousands of cattle being rustled from White Sage ranch the 1930's Texas Rangers are called in. They manage to get one of their agents into the gang by making them think he is the Pecos Kid on the lam.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
The Durango Kid is a sort of Robin Hood of the West who helps the lovely Walters (who replaced Starrett's usual love-interest, Iris Meredith), the daughter of a homesteader, defeat the evil MacDonald who has been terrorizing the decent citizens with his gang of rustlers.