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This place has the dimensions of heresy. The War Lord stars Charlton Heston, Richard Boone, Rosemary Forsyth, Guy Stockwell, Maurice Evans, Niall MacGinnis, Henry Wilcoxon and James Farentino, amongst others. It's directed by future Oscar winning Director Franklin J. Schaffner (Best Director for Patton), and the screenplay is by PJohn Collier with the adaptation coming from the play, The Lovers, written by Leslie Stevens. The War Lord harks back to days of yore as we enter the 11th century and ancient Normandy. The film successfully brings the period down to the nitty gritty and doesn't glamorise either the characters or the way of life of the various social dwellers. Time has been afforded the pagan mythologies that existed back then, whilst the upper class' rights such as "droit de seigneur" (ius primae noctis) forms the back bone for our story as Heston's Duke falls for the Druid peasantry virgin (Rosemary Forsyth) he has claimed his right too, tho his inner conflict with the ways irks him so. Thanks to Schaffner the film manages to blend its dialogue heavy plot with some well crafted battle scenes, with the use of weaponry and tactics particularly impressive. You can see that this hasn't just been thrown together as a cash in historical epic featuring Chuck Heston. The cast are strong, particularly Boone and Stockwell, while Jerome Moross (score) and Russell Metty (cinematography) capture the time frame with skill. Rarely talked about in terms of historical epics, or even Heston epics come to that, The War Lord is however one of the more tightly written and thematically interesting movies from the genre. 7/10
_**Mediocre medieval tale with Heston, Boone and Rosemary Forsyth**_ In the 11th Century, a knight (Charlton Heston) in the service of the duke of Normandy ventures to a village on the northern coast of France to finish and inhabit a castle-like fortress for defense against the raiding Frisians from further up the coast (which, today, would be Netherlands & Germany). Richard Boone plays the lord’s right-hand man, Guy Stockwell his brother, Maurice Evans a priest and Rosemary Forsyth a peasant girl. “The War Lord” (1965) is a deservedly forgotten Heston adventure of the Middle Ages along the lines of “The Vikings” (1958) but with bad haircuts and lacking the pizzazz that makes a movie great. It’s pretty much the “Braveheart” (1995) of the 60s, but nowhere near as effective (speaking as someone who’s not a huge fan of “Braveheart”). There’s some quality medieval action (mostly in the last act) and the depiction of social circumstances with lords and serfs is interesting (yet sometimes bewildering), although the portrayal of Druidic paganism amongst the latter is grossly exaggerated. Naturally devotees of the cast or 60’s cinema will be interested, but “Ironclad” (2011) tackles similar territory and is far better. For those who want something closer to that time period, “Robin and Marian” (1976) is a good option. One glaring issue is that the heart of the story revolves around the questionable ‘lord’s right’ or 'right of the first night,' a supposed legal right in medieval Europe that allowed feudal lords to have sexual relations with subordinate women on their wedding nights which, in practice, would simply be lords using their power over serfs to sexually exploit nubile ladies free of consequences. Whilst some historians say this ‘right’ MIGHT have existed in the Middle Ages, many others have concluded that it is a myth on the grounds that all references to it are from later periods. There are plenty of writings that allude to it, but very little legitimate evidence that it was ever actually used by any nobles anywhere. The film runs 2 hours, 3 minutes, and was shot primarily at Universal City, California, but also other areas of the state (Malibu, Maryville & Colusa County). GRADE: C
Not one of Charlton Heston's better efforts, this one. He's the overlord "Cyrysagon" who is sent to reimpose law and order at a remote Norman tower that is frequently being raided by the blond-haired Friesians. Together with his brother "Draco" (Guy Stockwell) and loyal henchman "Bors" (Richard Boone) they are soon embroiled in battles with their foe as well as engaged in the superstitions of the local, largely pagan, community where the lord has first "option" on any virginal newlywed. That's where "Bronwyn" (Rosemary Forsyth) comes in - much to the annoyance of her would-be husband and the local priest (Maurice Evans). When they manage to capture a young boy during a raid, they don't realise his importance - and with the Normans besieged in the tower, their only hope is that reinforcements can arrive. Either that, or the penny might drop about their feisty new young friend! It's not that it's a shocker - it isn't. It's just that nobody seems to be having a good day. Not Heston, nor Boone. Forsyth is terribly wooden and it's really only Stockwell as the increasingly unruly and jealous sibling who seems to want to present us with anyone remotely interesting. It does look good, money was clearly spent - just not on the writing or the story. Pity.
When U.S. Rangers and an elite Delta Force team attempt to kidnap two underlings of a Somali warlord, their Black Hawk helicopters are shot down, and the Americans suffer heavy casualties, facing intense fighting from the militia on the ground.
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
In the year 1215, the rebel barons of England have forced their despised King John to put his royal seal on the Magna Carta, a seminal document that upheld the rights of free men. Yet within months of pledging himself to the great charter, the King reneged on his word and assembled a mercenary army on the south coast of England with the intention of bringing the barons and the country back under his tyrannical rule. Barring his way stood the mighty Rochester castle, a place that would become the symbol of the rebel's momentous struggle for justice and freedom.
A knight framed for a tragic crime teams with a scrappy, shape-shifting teen to prove his innocence.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
In the early 1920's of China, seven former soldiers band together to defend a helpless village against a group of vicious bandits in this Hong Kong remake of Seven Samurai.
In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years before.
When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.
June 6, 1944: The largest Allied operation of World War II began in Normandy, France. Yet, few know in detail exactly why and how, from the end of 1943 through August 1944, this region became the most important location in the world. Blending multiple cinematographic techniques, including animation, CGI and stunning live-action images, “D-Day: Normandy 1944” brings this monumental event to the world’s largest screens for the first time ever. Audiences of all ages, including new generations, will discover from a new perspective how this landing changed the world. Exploring history, military strategy, science, technology and human values, the film will educate and appeal to all. Narrated by Tom Brokaw, “D-Day: Normandy 1944” pays tribute to those who gave their lives for our freedom… A duty of memory, a duty of gratitude.
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.