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**A film about a true fact in history, which is entertaining, but not very rigorous.** In 1215, during the First Barons' War, which occurred in the aftermath of a revolt and the signing of the Magna Carta, King John of England had to lay siege to Rochester Castle, a strategic point in his kingdom which, in the meantime, had fallen into power of the barons who revolted against him. What the film tries to do is to show us that siege, and give us a good story around it. And being a relatively well-known historical fact (at least for those who have studied English history), I believe that spoil does not apply if we talk a little about what happened at the time. Of course, a film like this is not a documentary, but the more rigorous it is, the better it is, in my opinion. And this film, despite making an effort, is not rigorous in its portrayal of the historical moment. It is true that the siege of Rochester was a landmark in this war, and the castle was defended by a force significantly inferior to the attacking force. The siege, however, only lasted a few weeks whereas the film suggests months passed. As the film reveals, the castle was targeted by a mine. That was true, but before, the king's troops did the same thing to the outer wall, and none of these operations were done by burning dozens of pigs alive! And although the film shows the castle isolated on a plain, the truth is that Rochester was already a city of considerable size and even had a cathedral, which was then looted and used as a stable by the king's troops. At the end of the siege there were dozens of survivors (including William d’Aubigny) and, despite being punished, the truth is that John did not massacre them. As for the participation of the Templar's, I have doubts. It is true that they were active in the English kingdom, but I have not read anything that proves their participation in the conflict. I can also assure you that they did not dress the way the film shows them. And having said that, I believe I managed to say some of the differences between the historical truth and the portrayal made in the film without spoiling it. The best thing about this film are the action scenes. Despite the lack of verisimilitude, the fights are impressive enough to make the film spectacular and give fans of the genre everything they like: the combats look formidable, and the sword blows split men in half like puddings. The catapult attack also has its charm, even though the shots almost have the effect of explosive artillery bullets, which is ridiculous for a historian. The cinematography is very good, the props, costumes and sets do the job, even if they are not historically accurate, and the soundtrack has an understated epic sense that sounds good and harmonizes with the film. At one point, the film reminded me of “300”, but here they don't fight using just their panties. Another very strong point of this film is Paul Giamatti's extraordinary performance in the role of a perfidious and sadistic King John. He is an actor for whom I have a certain sympathy and for whom I recognize talent, as I have already had the opportunity to say before, and despite having played a character worthy of being execrated, he did so with enormous panache and avoided making the mistake of being histrionic or transforming the character into a bloodthirsty without purpose. James Purefoy and Brian Cox try to keep up, and at least Cox manages to do so. Purefoy was not so successful: his character is never more than a lone vigilante, a “Batman” on horseback who will save the day at the last moment when everything seems lost. Kate Mara, of course, is the bored damsel of the day, and is fatally doomed to become romantically involved with one of the heroes. Derek Jacobi makes an effort, but his role is not very interesting.
Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
A distinguished military leader whose reign was touched by great scandal, shocking betrayals and rousing victories. A simple shepherd boy chosen to be king, under the watchful eyes of prophet Samuel.
The story of an idle rich boy who joins the US Army's Rainbow Division and is sent to France to fight in World War I, becomes friends with two working class men, experiences the horrors of trench warfare, and finds love with a French girl.
Class 1-A visits Nabu Island where they finally get to do some real hero work. The place is so peaceful that it's more like a vacation... until they're attacked by a villain with an unfathomable Quirk! His power is eerily familiar, and it looks like Shigaraki had a hand in the plan. But with All Might retired and citizens' lives on the line, there's no time for questions. Deku and his friends are the next generation of heroes, and they're the island's only hope.
The young D'Artagnan arrives in Paris with dreams of becoming a King's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the King. D'Artagnan must also juggle affairs with the charming Constance Bonancieux and the passionate Lady De Winter, a secret agent for the Cardinal.
Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day Moscow the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, the movie's protagonist, try to control them and limit their outrage
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids. During his trip to see Granny Wendy in London, the vengeful Capt. Hook kidnaps Peter's kids and forces Peter to return to Neverland.
A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.
