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Probably the best movie from Miyazaki. A mixture of old Japanese traditions with the story about the conflict between the industrial human being and the preservation of the Nature.
Hayao Miyazaki's arts have always something to remember us that we are naturally harmonized with mother earth and existences. There is still a bond, if one is hurt another, it means the one suffer itself as well.
Original title: Mononoke Hime The film is set in the 14th Century during Japan’s Muromachi Period. Young Prince Ashitaka, the last royal of his line, slays a wild boar that is about to attack his village. The boar, demonised because it was consumed by rage and hatred, infects the young Prince, who will eventually become demonised too. He leaves the village to find a cure in the form of Shishigami, a deer-like god. On his journey he realises that the latent rage and hatred within him, when it surfaces, gives him enormous power – proven when he slices off the arms of a Samurai warrior and decapitates another one. On his journey, he sees a travelling group of people attacked by a wolf pack. He saves two of the men who, it turns out, are from Irontown, run by the Lady Ishobi. He brings the two men back to Irontown, which is peopled by women who do the foundry-work and chores, and men who provide the security and protection, although even that is not cut and dried as the women are capable of defending themselves with guns being manufactured especially for them by the lepers to whom the Lady Ishobi provides food and dignity. There is much humour when the women verbally chastise their menfolk. I found those scenes hilarious. When Ashitaka brings the men back to Irontown he is welcomed by the Lady Ishobi. He also discovers that the wolf pack was led by the wolf god Moro, and the strange girl he saw help the wolves was San, the adopted daughter of Moro. San has the ability to talk to the nature spirits, and she is therefore known as Princess Mononoke (“Spirits of things”). Ashitaka is concerned that Ishobi is destroying the forest. It turns out that the Lady Ishobi and Moro are in battle because of the damage being done to the forest. To add to this, Ishobi has also recruited Samurai to help her in her fight, but the Samurai have two motives: one is to take the head of the Forest Spirit back to the Emperor, who believes it will give him immortality. The second is to take Irontown from the Lady Ishobi. That is an abstract of the plot. Miyazaki used computer-generated graphics in this for the first time, but most of the film was generated by hand. This I think is to its benefit. The drawing is breathtaking in places, and the depiction of such supernatural events as the Forest Spirit changing into the Nightwalker and the scene of the demon-possessed boar when it emerges from the forest for the first time are spectacular. I think it’s too scary and bloody for children, but a friend assures me that this sort of film is par for the course for children in Japan. The film is over two hours long, and it does pack a lot into that two hours. I found this film very interesting and watchable. I wanted to know what happened, and the plot was certainly not predictable. I believed in the world it depicted. I think in any film you have to allow it to draw you into its world (up to a point, some films are ludicrous and expect too much, this isn’t one of them). Part of the reason for the film’s ability to keep me interested is because the characters cannot be labelled “goodies” and “baddies.” Yes, Moro and his pack are attacking helpless workers, but they are destroying the forest and he needs to protect his way of life. Yes, the Lady Ishobi is destroying the forest, but she’s making a living for herself and is helping others: she has removed the women from servitude in brothels, given them security, work, and a home; some have found husbands or companions. She has provided shelter, home and work for the lepers, normally outcasts. Neither side seems particularly vindictive; Ishobi’s attempts to rid herself of the wolf pack are for self preservation, and her coalition with the Samurai to destroy the Forest Spirit is her attempt to remove the constant threat of attack. One can argue that if she took a more conciliatory view, maybe some sort of truce could be reached, but time and again members of the wolf pack merely say “they are humans, they must be killed” – to the point that even Ashitaki, who has helped the animals – is threatened with death if he does not leave the forest. In fact, one could argue that it is the animals who show a “racist” attitude here – demanding the death of the humans because they are humans. None of the humans in the film demand the death of the animals simply because they are animals. Their deaths, and the destruction of their habitat, are an unfortunate side-effect of the humans’ industrialisation, not a deliberate act. I hope that what you see from my analysis above is that the film is not goodies v. baddies. It’s nature v. industrialisation, and the compromise to that is not an easy one, and the film reflects that. You’ll be happy to know the film does have an upbeat ending, but thankfully it’s not entirely predictable, in my opinion. I thoroughly recommend the film.
When a village is tormented by a wild boar, it falls to the young "Ashitaka" to sort it out. Turns out though, that it isn't an ordinary beast - and in the fight the man is afflicted with a curse that requires his journey to the great tree god to put right. His travels lead him to the unscrupulous "Lady Eboshi" who has developed a smelting process that enables her to make guns - giving her not only advantage against the other local clans, but also helping her on her quest to kill the gods and the wolves lead by the Princess Mononoke whom they have raised from infancy. The story is great, the colourful and detailed animation moves the fable along well and excitingly with plenty of solid characterisation and action a-plenty. As ever with Miyazaki, there is a moral to the story - and the last twenty minutes exemplify that beautifully. The English language dubbed version has a good cast injecting personality and an extra degree of emotion to the characters too. I did find the forest sprites just a bit too twee, but otherwise this is a great marriage of creativity and legend - and I really enjoyed it.
This is my favorite movie from Miyazaki. The visuals are great. The characters are great. The voice acting (English version) is great. The animation is great. Music is great. The story is good. Everything about this movie is so cool and it's just really fun to watch.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
The Last Land has crumbled at the hands of Kenshiro, but in order to save the young Lord Doha, the powerful hero must travel through a land haunted by murderous demons in this sequel to the hit anime Fist of the North Star. Lord Doha has fallen ill, and if he doesn't receive a rare serum within a few short days he will certainly die. Though the serum is a two-day trip in both directions, Sara reveals that there is a shorter path running through Cliffland but it is haunted by vicious demons. As Kenshiro bravely makes way for the dreaded Cliffland, a new fighter named Seiji arrives in Last Land pursued by evil Clifflanders and vowing to reclaim Sanga's legacy.
Destruction and betrayal take center stage in the latest installment of the New Fist of the North Star series. When Kenshiro returns to find the city in ruins and its citizens tormented, his pain is compounded when he is betrayed and imprisoned by Tobi. As Tobi prepares a brutal assault on Seiji, Kenshiro must summon all of his strength to break free and take put a halt to his former friend's destructive scheme.
In the wake of King Edward's death, Uhtred of Bebbanburg and his comrades adventure across a fractured kingdom in the hopes of uniting England at last.
Even during summer break, the Amusement Club lives up to its name! When Akari Akaza, Kyouko Toshinou, Chinatsu Yoshikawa, and Yui Funami find a camping tent, they decide to put it to good use by spending the weekend outside in the mountains. When some student council members catch wind of this, they are invited to come along as well. After a very long journey, the group arrives at their destination and is ready to make the most of their trip. They engage in classic camping activities, such as outdoor cooking and tests of courage, and finish it all off with a visit to the hot springs. An extravagant trip like this doesn't happen every day, but the Amusement Club is sure to savor each moment.
Unknowingly saving the mountain god she devoutly worships, novice healer, An Qi, tries to nurse the god back to full health.
Some 120 million years ago, a king named Satan fell to hell and instigated a rebellion against gods, all kinds of confusion and evil effects began to occur on earth. El Cantare, the highest existence of Earth, allowed a part of his spirit to descend on Earth to put an end to the realm of Hell. El Cantare's consciousness descended to the continent of Mu, to Atlantis, to ancient Incan Empire, to Greece, and to India as Gautama Siddhartha and awakened people with the power of enlightenment.
In March 2002, a state TV signal in China gets hacked by members of the banned spiritual group Falun Gong. Their goal is to counter the government narrative about their practice. In the aftermath, police raids sweep Changchun City, and comic book illustrator Daxiong (Justice League, Star Wars), a Falun Gong practitioner, is forced to flee. He arrives in North America, blaming the hijacking for worsening an already violent repression. But his views are challenged when he meets the lone surviving participant to have escaped China, now living in Seoul, South Korea.
Three moments in Takaki's life: his relationship with Akari and their forced separation; his friendship with Kanae, who is secretly in love with him; the demands and disappointments of adulthood, an unhappy life in a cold city.