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Reconnection Or Loyalty? The Hired Hand is directed by Peter Fonda and written by Alan Sharp. It stars Fonda, Warren Oates and Verna Bloom. Music is by Bruce Langhorne and cinematography by Vilmos Zsigmond. Harry Collings (Fonda) and his partner Arch Harris (Oates) have been out in the western wilderness for too long. Harry finally calls it a day and sets about returning to his estranged wife and child of seven years... Beguiling, utterly beguiling, now here is a Western movie of such simple formula, yet still it's able to be a mighty treasure. This was Fonda's debut directorial effort, and since he would only go on to direct two more feature films, it's clear it wasn't the medium for him personally. But his love for his debut work speaks volumes, for he knows he got it right, and maybe he ultimately realised he was not going to top The Hired Hand for personal satisfaction reasons? Pic is like some elegiac fairytale, nuanced to the hilt and dictating the pace on its own terms. Narratively the simplicity comes down to if one man can reconnect with his long estranged family? Then the spanner in the works comes by way of a test of loyalty, front and center that's basically it. There's a superb strand that shows and tells us that a woman needs loving, both physically and mentally, this as the man's world rages around her, but the thrust is three lost and lonely people at the crossroads in this dusty part of the West. Pic is a technical delight. Zsigmond's (McCabe & Mrs. Miller/Deliverance) photography is sumptuous, rich in naturalistic tones, the moments of beauty captured actually belie the barren landscape these characters inhabit. Langhorne's musical score is tight to everything that's smart about the production, very contemplative and even haunting at times. The editing by Frank Mazzola is impressively impressionistic, and the writing from Sharp (Ulzana's Raid/Night Moves) is astute and uninsulting for period realism. Fonda turns in a wonderfully subtle performance, instilling Collings with a weary resignation of a life he let slip away. As for Fonda the director, he lets his co stars have a fine day in the sun. Oates - as his fans already know - was a magnificent character actor who deserved better status back in the day. Thankfully his legacy lives on and his work is now viewed with keen appreciative interest, The Hired Hand gives a glimpse of just how reflective he could be. Bloom, smartly devoid of make-up and hairdo oddness to keep it real in the West, has Hannah Collings as heartfelt and stoic in equal measure - she is terrific. There are small bursts of violence, there has to be for the story to come full circle and reveal its hand at the closure, but this is in no way an action piece. You can understand to an extent why the film was met with disdain upon release, cut and ultimately buried by Universal. This was the first film Fonda made after Easy Rider had made waves in the industry, so expectation for what was expected of The Hired Hand were obviously muddled. Early critical notices were harsh, where's the shoot-outs and high energy horse pursuits they cried, and so this beautiful film got lost for years. Thank the movie lords for home format releases then, for now it can be seen in all its delicate glory. 9/10
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Forced to kill a young Abilene gunman in the line of duty, Sheriff Matthew Roberts, torn by anguish takes off his badge and leaves Kansas. Roberts becomes known as 'The Drifter', wandering restlessly through the west. In Arizona, he aids elderly rancher, Tom Duncan, Tom's granddaughter, Virginia and kid-brother Danny (Steven Tackett) in their fight to save their small ranch from a crooked banker and his gang of outlaws.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
A singing cowboy roams the Wild West with his sidekick, dancing horse and fancy wardrobe.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
Major Bower’s wife tells her lover Chaliko where her father’s fortune is hidden. When the major finds out he murders her and with his gang, goes after Chaliko.