War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I guess we all died a little in that damned war. The Outlaw Josey Wales is directed by Clint Eastwood, who also stars as Wales, and is adapted by Sonia Chernus & Phil Kaufman from the novel "The Rebel Outlaw: Josey Wales" written by Forrest Carter. Joining Eastwood in the cast are Chief Dan George, Sondra Locke, Bill McKinney, John Vernon & Paula Trueman. Music is by Jerry Fielding and Bruce Surtees photographs on location in Utah, Arizona & Wyoming. We are at the very end of the American Civil War and Josey Wales is a contented family man working on his Missouri farm. But his peaceful world is shattered when Union soldiers raid his home and murder his wife and child. Surviving the attack, Josey takes up arms with a group of Confederate guerrilla fighters who take the fight to the Redlegs. However, when the news comes that the war is over and the Confederates are required to surrender, Josey refuses to do so. A wise choice since his group are rounded up and slaughtered in cold blood. So Josey is forced to go on the lam as an outlaw, where hot on his trail are the Redleg group fronted by bloodthirsty Captain Terrill. On his way, as he contemplates survival and what life has in store for he and his aggressors, Josey acquires some interesting companions. Acclaimed by the critics upon its release, The Outlaw Josey Wales is ageing like a fine wine. It's a film Eastwood himself is very proud of, citing it as one of the high points in his career. Yet the film got off to a difficult start. It was originally given to Kaufman to direct with Eastwood's Malpaso company producing, but the star and director fell out over Kaufman's directing style - and that a certain Sondra Locke was turning the heads of both men. As we now know, there was only one winner there. The story is a classic Western tale, hell it's a powerful tale, one with layers that peel off as the film progresses. Josey Wales starts out a peaceful family man but after having that stripped away from him by violence, he too is forced to take up violence in response. So far so formulaic then. But the film is so much more than just a Western revenge yarn, even if that aspect of the story is darn good as Clint gets mean and broody and pulls his pistols. There's a real strong family thread throughout, from losing his own kin in the beginning - to a father son relationship - and on to the way he acquires a new family on his travels, it's very strong and gives the narrative a real emotional kick. As Josey goes on his way, angry, bitter and prepared to face the consequence of his choices, the character is constantly forming. It was only after a number of viewings that I personally realised that Josey Wales the man was being healed by the ragtag assortment of individuals that he collects on route to his character being rebuilt. Eastwood the actor here is on fine form, cool and every inch a man's man. But even Eastwood wouldn't decry the scene stealing excellence of Chief Dan George as Lone Watie. His dry wit puts him in the top tier of Western comedy sidekicks, but rest assured the character is more than that. For Watie acts as a sort of spiritual mentor to Wales, and Eastwood reacts positively to George's serene acting to give the film its tight bonded centre. The rest of the cast are a much of a muchness but all serve the story well with solid performances. In fact it's a rare occasion when Locke's vacant method acting actually works well! Eastwood the director is calm, assured and subtle in pacing, with his storytelling boosted considerably by Fielding's popping score and Surtees' gorgeous cinematography. The script is awash with attentive dialogue and punching moments of humour, whilst its noticeable denouncement of violence and intelligent portrayals of the Indians is to be roundly applauded. Iconography unbound and bulging with class in the writing, The Outlaw Josey Wales is not just one of Eastwoods best Westerns. It's one of the best Westerns period. I reckon so. 10/10
**_One of the Great Westerns_** The Civil War is over and the remaining rebels in Missouri are encouraged to turn over their weapons and pledge loyalty to the Union, but Josey Wales (Clint Eastwood) hold out and thus a generous reward is put on his head. Josey heads to West Texas and maybe Mexico to find sanctuary, but will he make it alive? The cast includes the likes of Bill McKinney, John Vernon, Sondra Locke, Chief Dan George, Sam Bottoms and Will Sampson. “The Outlaw Josey Wales” (1976) is Eastwood’s best Western and a standout of the genre. Everything clicks for a top-of-the-line drama/adventure. A critic said that Wales’ encounter with the Federals in the first act establishes him as invincible and thus destroys any sense of suspense. No, it just means that he caught the soldiers by surprise and he escaped the clash unscathed with a mixture of skill and luck. A later scene reveals he’s decidedly mortal. The movie starts with the typical Bob Steele revenge plot and soon morphs into a trail movie (similar to a “road movie,” but with horses). As such, some interesting characters come-and-go (or, more accurately, come-and-die), but several stay on. It’s a string of memorable episodes on the long trail, like the river crossing and Josey’s well-done pow-wow with Ten Bears (Will Sampson). I like the emphasis on how an outcast can acquire an unconventional family, even if inadvertently. The film runs 2 hours, 15 minutes, and was shot in Oroville, California; Arizona; and Kanab Movie Ranch, Utah. Wyoming is also listed. GRADE: A
A little overlong, though 'The Outlaw Josey Wales' is an entertaining watch - with cool action sequences and a pleasing ending. You have a strong performance from Clint Eastwood and good support showings from the likes of Chief Dan George and John Vernon. The plot is interesting and the road-esque nature of it keeps it moving well. I do think they could've trimmed the run time slightly, while Eastwood's character really didn't need to spit so much - on a dog and some insects, no less. Just bizarre, it adds zero and simply becomes an irritation. A sequel, without the involvement of Eastwood, was released ten years after this - I'm intrigued to check it out.
Gerald, the somewhat frail son of a wealthy New York family, is bested at the beach by Bill, a strapping young cowboy from Arizona. His fiancée Mary, ashamed of Gerald's "yellow streak", leaves him and goes by train to visit some friends in Arizona, with Bill in tow. Gerald follows them, and before long he and Mary winds up captured by Yaqui Indians and Gerald must prove to Mary that he is not the "weakling" she thinks he is by coming up with a plan for them to escape their captors.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
After being shot, a dying Marshal Dawson gives Dave Hayes his badge and asks him to finish his job. Dave becomes Marshal but when Bowie, the man that shot Dawson appears, he exposes Dave as an imposter. Dave is then in trouble when Edwards incites the mob to lynch him.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyo., standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Charles Starrett, aka "The Durango Kid", is back in Raiders of Tomahawk Creek. Starrett plays Steve Blake, a novice Indian agent, sent out to investigate a series of mysterious murders.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
A white man trades with the Comanche for the release of a female stranger and the pair cross paths with three outlaws who have their eyes on the handsome reward for bringing her home and Comanche on the warpath.