War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
The short review is "life's a bitch, then you die" LOL, that doesn't do this absolutely brilliant film any justice, though. Imamura has crafted a rather sardonic, brutally honest mirror of humans. Like humans, it is both hard to watch, and simultaneously invokes emapthy. Few directors every achieve this level of mastery of the audience's emotions. It holds a well-deserved Palme d'Or. The legend upon which the movie is based is called Ubasute (姥捨て) in Japanese, or "abandoning an old woman". There is no evidence of it ever being a common practice, though it's a persistent myth in Japan. One of the very plain statements of the director, is that Ubasute reflects the way contemporary Western culture treats it's elderly. In the USA, at least, nursing homes substitute for Narayama mountain.
Sho is a loner who works at a small factory. He has no friends, hardly associates with his work-mates and is regarded as a weirdo because of his love for gun models. One day he buys a real gun from a local yakuza. This boosts his self-confidence and he overcomes his insecurities and presents a bouquet of flowers to Eiko, who lives in a classy apartment and with whom he had fallen in love.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
Shinji, who has been writing a screenplay that is not going to be made into a movie, has a girlfriend who is a model. One day Shinji receives a call from the husband of his old lover Yoko, and goes to see her. When he meets Yoko again after five years, he cannot resist embracing her. A sensual film of love and jealousy, directed by and starring Kazuhiro Sano.
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.
Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.
A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.
An office lady encounters a bank robbery in progress while at the bank to extend the repayment of a loan for her lover. In the ensuing panic, she steals her loan book but is kidnapped by the robbers as they escape. Her life soon becomes a living hell.
A mysterious woman picks up an elite hockey player after a game. They spend a hot night at an estate, then she disappears. He becomes obsessed with her, and gets to see her in a strange show with white swan wings at a sex club, but is stopped by her entourage and asked to leave her alone.
Under a full moon near a highway bridge a woman has sex with her boyfriend during her period. Unfortunately the boyfriend is accidentally killed by a flying pop bottle from a passing delivery truck. This triggers a story of bloody revenge.
Naomi Tani plays bar-owner Aki, whose entire world appears to be crumbing whenever she discovers her husband is having an affair along with her own mama. Truly the only individual she can trust is Iwasaki, the woman club supervisor. One time, she asks Iwasaki to accompay her to a company meeting with a trader Hanamatsu, the owner of a mannequin factory. At the warehouse, Miss Aki is abnormally aroused when she sees Hanamatsu toching the mannequins. She allows by herself to be seduced by the businessman…