Três Espelhos

Arriving in Bangkok, former boxer Marco Boschi meets Fabio and Andrea to organize the delivery of a cargo of heroin to Italy

Mort Rainey, a writer just emerging from a painful divorce with his ex-wife, is stalked at his remote lake house by a psychotic stranger and would-be scribe who claims Rainey swiped his best story idea. But as Rainey endeavors to prove his innocence, he begins to question his own sanity.

Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.

In post-Sept. 11 Los Angeles, tensions erupt when the lives of a Brentwood housewife, her district attorney husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple converge during a 36-hour period.

Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple's infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.

Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor smells a cover-up, witnesses get targeted. A thinly veiled dramatization of the assassination of Greek politician Grigoris Lambrakis and its aftermath, “Z” captures the outrage at the US-backed junta that ruled Greece at the time of its release.

A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.