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The One Show - (Mar 29th)
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I must have watched this film three or four times now, and each time it takes me the first half hour to recall. It's an intriguing story rooted in Aramaic mythology but applied to 20th century Philadelphia. "Hobbes" (Denzel Washington) is a detective who worked on the case of serial killer "Edgar Reese" that saw him captured and executed. Not long after this supposed closure, however, other - very similar - crimes start to occur and he and his partner "Jonesy" (John Goodman) are perplexed. He keeps hearing a song - the same song the deceased sang as he died, but the people singing it are different. There is something mysterious afoot that can inhabit a body, move effortlessly and invisibly from one to another - and it seems to have "Hobbes" in it's sights. Desperate to shield his family from this evil, he must try to find a way to destroy it before it destroys him. It all takes too long to get going, and Goodman is not particularly well cast, but once we have the gist of the plot then Washington and director Gregory Hoblit turn in quite a well put together story, using the photography well to give us a perspective from our menace whilst effectively conveying the sense of nimble mobility this creature possesses as the resourceful "Hobbes" tries to combat it. Donald Sutherland pops up now and again, to no real purpose, indeed much of the supporting cast sort of blend into the wallpaper of this exercise that really plays to the strengths of an on-form Washington delivering a solid and interesting theme. It's too long, but still worth watching.
I generally have a distaste for movies where Denzel plays the smart cop/government agent/detective because he does it far too often, he seems to be typecast, and it's a waste of pro talent. He's above playing the same sort of role over and over again. But this is one of the exceptions. He does an excellent job, but despite this, it's not Washington you remember. You remember Elias Koteas and he's only in the film for a few short minutes. It's remarkable that in a Denzel Washington movie, someone else steals the most memorable role, and it's even more rare that the role you remember has nearly the least amount of screen time. So... it's already off to a good start, or at least a memorable one. Those are two things that tend not to happen. But then you have a William Holden noir style character monologue that is actually done right and adds more to the story's atmosphere than it really should. You have a spooky plot, and on top of that you have some extremely well done and downright spooky scenes. From start to finish it's just a well executed movie, a well acted movie, and one that deserves to be remembered a bit more than it is. It's one of the movies that I always recommend to people.
Jakob Aasen has hired his old friend, private investigator Varg Veum, to spy on his wife Rebecca, whom he suspects of infidelity. Against his better judgement Varg accepts the job, and in an ironic twist he and Rebecca rekindle their former love. Meanwhile a serial killer is targeting members of Jacob's band and their families...
A psychological thriller about a senior at one of America's most prestigious universities. Under enormous pressure to complete her thesis and earn a top job at one of the world's most competitive consulting firms, Katie is still coping with the sudden unexplained disappearance of her first love two years prior. As the investigation continues, Katie is forced to choose between past passions and new possibilities, even as new facts are uncovered.
Light Yagami finds the "Death Note," a notebook with the power to kill, and decides to create a Utopia by killing the world's criminals, and soon the world's greatest detective, "L," is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.
A psychology student who experienced night terrors as a child must face the chilling realization that her nightmares were not all in her head.
A teenage boy and his mother are on the run. The father is violent and has a history of beating up his wife. They manage to get away from him and drive far away, until they arrive in a small town where they settle down. They rent a house from a nice man and soon they forget everything that has happened in the past, until the boy begins to have bad dreams of his father.
Inspired by the the life of Pulitzer Prize-winning, Miami-based journalist, Edna Buchanan, who investigates the murder of a man with ties to the Miami mafia.
Harumi Hagiwara lands in the hospital after being involved in an accident. She hits it off with her nurse, Reiko Nishimura, and the two decide to move in together after she's discharged. However, Harumi begins to witness a series of mysterious events soon after noticing Reiko's strange behavior. Additionally, she fears for her own safety when Reiko starts referring to herself as 'Mari' as if she's become an entirely different person. Before long, the situation develops into a case of murder.
The 'Beast Cop' Ma Seok-do heads to a foreign country to extradite a suspect, but soon after his arrival, he discovers additional murder cases and hears about a vicious killer who has been committing crimes against tourists for several years.
The Munns, father John and sons Chris and Tim, recede to the woods of rural Georgia. Their life together is forever changed with the arrival of Uncle Deel, though the tragedy that follows forces troubled Chris to become a man.
Daryl Zero is a private investigator and—along with his assistant, Steve Arlo—he solves impossible crimes and puzzles. Although Daryl's a master investigator, he doesn't know what to do with himself when he's not working; he has no social skills, writes bad music and drives Steve crazy.
While shooting a documentary on the suspicious disappearances within the homeless community, a filmmaker and his crew go missing while uncovering a terrifying and vicious secret below the city's surface.