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Paul cannot approach his father, mired in his business, without noticing that his son requires at least a few words, thrown out instead of attention by shouting at the door, to continue the battle with loneliness, not guilty of his mother’s misbehavior, the child hanging him around his parent’s neck , never taking responsibility, forgetting about the boy in an attempt to get rid of the memory of his wife. The conditional orphanage of the Englishman Paul is akin to the complete orphanage of the French Michel, who after the death of her father, who had raised her without a deceased mother, tried to get to live with her cousin, was tied to her freaky boyfriend, annoyed by the appearance of a youngster, with whom he was inclined to play only adult games, except for a hint family silence. Guys confronts with uncomplicated fantasy director, invented to fold a pair of otchuzhdentsev union of lovers, with substitutes for themselves the lack of attention of loved ones, becoming halves of family unity, which began as a joke, and which gave a start to the faithful following of another, dictated by the feeling fortified debt and the inspired happiness that they found together, the code retired together. They missed themselves. Others were not needed. By the will of the writers, the small cottage became for them an idealistic incubator of happiness, growing from patience and warmth, revelation and forgiveness - physical and spiritual labor, emotional outbursts and rational decisions in an atmosphere of sincerity and purity of thoughts, naive in the presentation of conscience and sin. Anise Alvine and Sean Barry have no contradictions. Without being surprised at the tricks of their characters, they are floating on the waves of their love on the pure air of visual contact and bodily communication, freed from society and have not known the decomposition of social networks. Independent and self-sufficient, defiantly independent and gaining strength to insist on their own. They are not dangerous, but they are wanted, pursued by a tangible threat to separate and divide. However, it is not a hopeless venture of young romantics that seems risky, but inspiring their self-will of the creators of the picture, promoting their example as a science for viewers who listen to them, watching the provocative emancipation of adolescents who break out of the rules and regulations, giving rise to suspicion of danger, casting doubt on the emotional rise of the actors and humanistic motifs, peeking through the sounds of music (Elton John song soundtrack) and straightforwardly unassuming words. Sudden and rapidly growing maturity is subjected to the test of inexperience, loading the heroes with responsibility and duty, which their self-kin deprived them of, giving them wisdom, which is not accessible to indifferent adults who, if not able to help, could not have interfered. Is it possible to cope together, is it necessary to flee and hide - are the assumptions made by the director justified, giving the slaves freedom of their own discretion? There is something to doubt and not to believe, but it does not take much effort to imagine what has happened as the best possible, seeing the materialized dream in it, not taking on the burden of its destruction, stopping along with the director over the abyss, where he will guess about the truth everyone, but not everyone will need it.
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Zodiac Crush is a captivating reality TV movie that explores the fascinating world of astrology and numerology in the context of dating. The movie centers around a star bachelorette who is on a quest to find her soulmate, and she does so by dating five guys, each representing a unique star sign and life path number. Throughout the movie, the bachelorette goes on a series of dates and engaging challenges with her suitors, and viewers get to witness the highs and lows of each encounter. Along the way, the bachelorette receives expert guidance and predictions from astrology and numerology experts, Mike Anthony and Rachel Black, who help her navigate the complexities of compatibility based on star signs and numerology.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.