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War is a bit strong a word, more like scuffle of the wildcats. John Wayne & Albert Dekker compete for oil rights on Indian territory, and for the attention of Martha Scott in this Republic Pictures film shot out of Utah, USA. An interesting Western of sorts due to its characters and its more modern setting, with Wayne & Dekker playing the old and new factions of the West. It's based on a story by Thomson Burtis who co-writes the script along with Eleanore Griffin and Ethel Hill. Albert Rogell directs in the workmanlike way that befits his career. A pretty mundane story is in truth saved by its final third, where thankfully the action picks up and we are treated to something resembling a pulse. The light hearted approach to the romantic strand doesn't sit quite right, and a glorious fist fight between the two protagonists is ruined by Rogell being unable to disguise the stunt men doing the work. But hey, stunt men deserve their moment of glory always. Solid support comes from George 'Gabby' Hayes and Wayne as usual has much screen charisma, particularly when rattling off his pistol. But in spite of its better than usual Republic budget, it remains a film of interest only to 1940s Wayne enthusiasts. 4/10
An entertaining western from 1943. 'War of the Wildcats' held my interest from start-to-finish, I really enjoyed seeing the oil-themed premise unfold. There are good performances from John Wayne (Daniel), Martha Scott (Catherine) and Albert Dekker (Jim). The action sequences are nicely done, also. Some elements of the story are, obviously, outdated, especially to do with Scott's Catherine who isn't written incredibly; except for at the beginning, I guess. Although, in those terms, it does feature a mostly pleasant story regarding Native Americans, which is something you don't always see from these old films. By the end, I had an enjoyable 102 minutes watching this. Well paced and well acted.
This is certainly one of the more distinctive efforts from John Wayne, as he portrays "Dan Somers", a cowboy at the turn of the 20th century who decides that he can make some money prospecting for oil. His plan is to work with the local Indians in Oklahoma to develop their lands, but he faces stiff competition from local oilman "Jim Gardner" (Albert Dekker) who has designs on the lands himself - only on much less preferential terms to the owners... Thanks to a little bit of luck, and a friend in high places, "Dan" gets the chance - but can he discover the oil and get it to market in time? It's an engaging performance from the Duke, this - he has a bit more character than in many of his earlier roles - the dialogue a little more personable and his undoubted charisma is given more of a chance to shine through. I always think Wayne and Errol Flynn had one thing in common - both thrived when supported by a stalwart cast whom they worked with regularly. Here, the always enthusiastic contribution of "Gabby" Hayes helps keep the film rollicking along nicely, and though Martha Scott's "Cathy" offers little by way of substance, she still manages to add a little extra to this oily version of David and Goliath - especially as both men are keen on her. I'd certainly put this in his top ten...
An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way Old Surehand and Old Wabble are involved in the running conflict between settlers and Comanches who are likely to go on the war path. Old Surehand can count on the support of his friend and blood brother Winnetou, the amiable chief of the Apaches. Written by Robert
On her b-day, settler's daughter Apanatschi receives her father's secret gold mine but greedy neighboring prospectors resort to murder and kidnapping in order to get the gold, forcing the girl and her brother to seek Winnetou's protection.
Abahachi, Chief of the Apache Indians, and his blood brother Ranger maintain peace and justice in the Wild West. One day, Abahachi needs to take up a credit from the Shoshone Indians to finance his tribe's new saloon. Unfortunately Santa Maria, who sold the saloon, betrays Abahachi, takes the money and leaves. Soon, the Shoshones are on the warpath to get their money back, and Abahachi is forced to organize it quickly.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Gwen, who is married to Torito, an Indian, she escapes from a rape attempt and is found wandering in the wilderness by Johnny, who leaves her with a missionary Father Ryan. A difficult situation emerges involving warring families and those who had assaulted her, still on their trail.