Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
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In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
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Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Babygirl 2024 - Movies (Jan 28th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
Ishura - (Jan 29th)
Hard Quiz - (Jan 29th)
The Chase Australia - (Jan 29th)
The One Show - (Jan 29th)
Landscape Artist of the Year - (Jan 29th)
Tipping Point Australia - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
The 11th Hour with Stephanie Ruhle - (Jan 29th)
Deal or No Deal Island After Show with Boston Rob - (Jan 29th)
The Real Housewives of New York City - (Jan 29th)
Married at First Sight UK - (Jan 29th)
Life Below Zero - (Jan 29th)
Watch What Happens Live with Andy Cohen - (Jan 29th)
Highway Thru Hell - (Jan 29th)
There's a lovely few minutes at the start of this documentary that features Julian Bream playing on the lute. Not an instrument I've heard often but it was clear this artist's skill captivated Igor Stravinsky as he sat in a theatre stall and watched. This gives us an early indication as to just how profound this man's interest in music and it's instruments was. For the next fifty minutes we follow him as he prepares the Canadian CBC Symphony Orchestra to make a live recording of his three hour-plus "Symphony of Psalms". Leading the orchestra himself, he doesn't rehearse as such - he intends to play the whole thing through commenting and recapping as required, to ensure that everyone is on the same page by the conclusion. This run-through is interspersed with some contributor's comment and underpinned by a narration and an interview that illustrates that this now proud American citizen is also a man who has a distinguished European past too. His contacts book would have been a thing to marvel at - everyone from Tchaikovsky and Diaghilev to Prokoviev were his luncheon partners. He even got arrested with Picasso for relieving himself against a wall in Madrid! His conversation is engaging and lively - though he is no pushover, and clearly knows (and gets) what he wants. As fly on the wall films go, this is less intrusive than many - we are shown the door on one or two occasions and I found that added a bit of realism to this interesting portrait of a man who spanned two empires - one with a crown and one without, and he seems to have kept his feet on the ground too.
Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.
Everyone has heard about bee declines, but with so much attention focused on domesticated honeybees, someone has to speak up for the 4,000 species of native bees in North America. Natural history photographer Clay Bolt is on a multi-year quest to tell the stories of our native bees, and one elusive species – the Rusty-patched Bumble Bee – has become his white whale. Traveling from state to state in search of the Rusty-patched, he meets the scientists and conservationists working tirelessly to preserve it. Clay’s journey finally brings him to Wisconsin, where he comes face to face with his quarry and discovers an answer to the question that has been nagging him: why save a species?
A story about friendship, independence and the making of a record. Silversun Pickups deconstruct the making of their latest record “Better Nature” while starting their own record label.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.
This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.
This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.
Actor Nicolas Cage and director Martha Coolidge sit down to discuss their wok on the 1983 film "Valley Girl."
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)