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**The one who wandered around like a breeze.** This is one of the earlier directional venture for Clint Eastwood. Probably not famous among his fans as his other flicks, but I totally loved it. I did not know it was his film till I saw, though he did not star in it, because the story needed an older actor than he was at that time. To me this film looked like a sweet poem, one of the rare romance theme, and most probably for the open minded people. Now this entered into my all time favourite list. So now you know how much I liked it, but I want to write more about it... It was a wonderful opening, I mean very simple, but you will remember forever the Breezy's introduction, step by step her trademarks like her attire; a hat and an old jacket, guitar that never used and the way she's living her life on the daily basis. We never know why she chose that life, but her kindness really reaches our heart. She's not just like her kind of people, I mean Americans call them hippy, but very soon the film reveals her emotional side when she finds a dead dog on the road side. So she runs away from a man she just met leaving her things behind in the car, but again, they meet in an unexpected circumstance like a fate brought them together. Their relationship as well gets more intentional by the days passing by. But the unavoidable differences between them and the society that talks behind them forces them apart. The remaining tale is to disclose whether they remain true to their hearts or the reality takes over. Don't misunderstand what you read in synopsis, this is not a sexual exploration or drugs and alcohol related thematic product. This is a cute romance film between an older man and an older teenage girl. So it is good for the grown-up audience and maybe matured teens, particularly not for the people who are culturally, religiously attached to. I don't think so, I would have liked it if I saw it ten years ago. Maybe the age factor played a role here, I'm a different person now, but I'm glad I saw it at the right time of my life. Like there's a saying, better late than never, anyway, I was not even born when it came out. > "Nobody matures. They just grow tired." Not just Clint Eastwood's direction, but the writing was top class. Everybody who worked for the film delivered, but still I can't understand how it went unnoticed all these years. Both the lead actors were extraordinary. Great, an unusual chemistry, especially William Holden was made for the character he had played in this. And for Kay Lenz, it will be her best film, particularly from those I've seen. She also nominated for the Golden Globe for her role in this, but I feel she should have won it. The musics and songs were good with the beautiful cinematography. You will never know how this film ends so fast, that kind of addictive it is that makes you forget the time. The most of the film focused on the two main characters and they are completely different from one another which was neatly briefed on the screen for us. It took enough time to set the tone right, particularly the old man's, but Breezy was very easy and everybody who watches this film would surely fall in love with her. Eastwood did not make many romance films, but from those this would definitely remain on the top. He said he liked this one very much, it is his one of the favourite among his directional features. I would have not minded if he had played the lead role with make-up to change the look, but I'm very happy with the existing casting. It opened with the character Breezy, but soon the narration shifts to an old man's perspective. Slightly an emotional tale, but in a romantic way. There were many touching and memorable lines. When I like a film, I would watch it again in a short gap and I did for this. But the result was same, I liked it even more on my second viewing. Forget the respond it got when it got released, but those who watched it in the recent time praising it a lot. Definitely it's going to set a cult status once a good number of people saw it, definitely it should be. For now it is like another 'Melody', so I strongly suggest you to watch it and spread the words. I hope you realise I'm not wrong. _9/10_
A sweet flick featuring William Holden and Kay Lenz. The two leads come across very well and are both charming, I enjoyed both of their performances - with Lenz narrowly edging Holden out, if I had to split them. The story begins a bit iffy but does end up coming out as pleasant. Of course age gap love can be off-putting in film, but as long as it's done correctly then it can work - evidently. Clint Eastwood directs but doesn't feature in a main role, though does have a few second cameo - one that is easy to spot, if you keep close enough attention. The support cast, while nothing standout, are all solid. 'Breezy' is apparently one of Eastwood's lesser seen films, as shown by it having less than 2,000 ratings here on Letterboxd. I guess it's not for everyone, but I'd recommend it - the pacing isn't perfect, but it isn't anything that drags at all.
The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.
A transformative unconventional story blending coming-of-age cinema verite in a deep personal tale of weightloss struggles and love. Based on the true relationships of Chicago natives in the two years leading up to the historic world series win.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
In a small and conservative Scottish village, a woman's paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
In the winter of 1978, under Chile's military regime in Santiago, Raúl Peralta, a lonely and disabled architectural model maker, lives a quiet life with only his ailing mother and a pet canary for company. His routine is upended by the arrival of new neighbors whose sinister activities seem to hide dark secrets. Desperately clinging to the last remnants of his sanity, Raúl’s life increasingly intertwines with Guillermo, a mysterious man in dark glasses. As reality unravels, the echoes of Raúl's past collide with the horrors of his present in a psychological thriller that leaves behind deep, indelible scars.
A famous photographer, Jo Ellen Hathaway, has been being stalked for quite some time. She returns to the island she grew up on in an effort to get away from the stalker and get some well-needed relaxation time. On the island, she meets up with old friends and boyfriends and works on relationships with her family. However, she can't shake the feeling that she's still being watched.
A beautiful girl who has everything. A sudden car crash, and her heart stops for a few minutes. When she wakes up, everyone assures that everything’s alright. But she knows it isn’t. Because she cant remember her final month; a September of her life is missing.
A misunderstanding leads to sombre consequences as two flatmates recall very different turns of event from the previous night.