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Miklós (Miles Szanto) is a young man with ambitions to run off with his best mate "Dan" (Daniel Webber). Things get complicated when his brother is killed in a cycling accident and his friend decides he wants to stay put with his friendly new girlfriend "Phaedra"(Charlotte Best), just as "Mik" thinks it possible they might have a future together. His emerging homosexuality and his love for his friend take quite a beating over the next hour or so as the pair gradually, and not always peaceably, realise that this is not going to be a smooth ride for anyone. The narrative here is complex and rich; the acting actually quite proficient and the story has a certain honest messiness to it that I found quite refreshing. Nothing goes to plan because nobody has a plan. I could have done without the cluttering familial immigrant sub-plot, that rather took the focus away from the intensity of the principal story, but all told this is a better than average mid-budget effort with a strong story, plausible characterisations and an ending that offers a violent route to redemption that is tough to watch, but pretty poignant and doesn't deliver quite what you might expect.
A dinner party with old friends takes a shocking turn as wounds are exposed, revelations are made, and the past resurfaces. Over one tense evening, Cynthia learns that some things can never be unsaid.
This popular international series continues with this third volume of five short films focusing on men, including: Vanilla [Baunilha] (2017); Lightrapping (2016); Polaroid (2014); Five Minutes a Day [Cinco Minutos Por Dia] (2018); My Brother [Mio fratello] (2015).
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A pastry boy and the son of a hair-piece mogul become involved in an arson scandal. Sergio is offered a bribe in exchange for taking the blame for the fire that destroys his workplace. Garet, the real arsonist, is apalled that someone else would try to take credit for his act of love. Before long, Sergio and Garet become entangled in a zany love-quadrangle involving Hattie and Stephanie. Written by Brian Whiting
A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.