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Not a sequel in any way to last year's Darling, Darling 2 is a rather sombre horror film that leaves you unimpressed despite some commendable camera work (Vijay Kartik Kannan) and sound design (M Ravi and Arun-Seenu). It begins promisingly with a young woman possessed by the unknown being branded schizophrenic. The action then cuts to Arvind (Kalaiyarasan) and his friends. Their friend Ram (Rameez Raja), whose look-alike brother Krishna is also part of the gang, had committed suicide a year ago, and the group decides to go on a trip to Valparai for a change of scenery. There, they discover that Arvind has been possessed by the spirit of Ram, who wants to kill him for his betrayal that resulted in Ram getting separated from his lover Ayesha (Maya). The problem with Darling 2 is the matter-of-fact narration of the plot, which, we are told in the end, is inspired by true events, and director Sathish Chandrasekaran forgets to make it fun for the viewer. Neither does the film boast of any noteworthy scares nor does it have any memorable laughs (Ramdas's one-liners hardly make us smile). Even if the intention was to give us a horror film unadulterated by comedy, the film is emotionally empty, despite some half-hearted attempts at milking the friendship angle. The reason why the ghost(s) want to take revenge on Arvind, too, lacks emotional heft. Interestingly, like in this week's other horror release, Hello Naan Pei Pesuren, the ghost(s) take over the body of a living person just for the sake of being with its lover! Some of the scenes involving the ghost are scary but the filler portions (mostly involving the friends hanging out together) are quite uninteresting. Repeatedly, the director sets up an intense scene (say, the scene involving Balaji's encounter with the ghost for the first time) only to end it on a downbeat note. In the end, the film starts to resemble a sound and light show that promises a lot but doesn't stay engaging for long.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates - including an older prisoner named Red - for his integrity and unquenchable sense of hope.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
A federal agent searches for a potential killer among the bizarre residents of a dilapidated Los Angeles hotel.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.
Summer in Corsica. In a Corsican village nestled in the mountains everyone experiences summer in his or her own way: children play, teenagers flirt, and the elders comment on the passage of time at their local bar. In the August heat, it doesn't take long for tensions to rise as one family struggles to keep grudges from bubbling to the surface. Sometimes a spark is all that is needed to set the maquis alight.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
