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Maggie Smith offers quite a compelling performance in this adaptation of Brian Moore's novel. She is the eponymous piano teacher, having fallen on hard times since the death of her aunt (Dame Wendy Hiller). She comes to live in a boarding house in Dublin where she encounters a rather curious dynamic amongst the guests: the proprietress, her son, and her brother "Madden" (Bob Hoskins). She takes rather a shine to him, and the beautiful jewellery on her fingers leads him to believe that she might be useful backing his proposed hamburger business venture. Wires get crossed, and we discover that this lady has a few demons of her own. The story itself is fairly profound. It does not swipe at 1950s Dublin life, it exposes it to us. The hypocrisies of the church, of the middle class, the attitudes towards alcohol and sex are laid bare for us to observe and judge as we will. That is one of director Jack Clayton's better strategies for this ostensibly rather downbeat, frequently quite depressing piece of cinema. It doesn't deal at all with sectarianism, and is significantly more potent for that - it is very focussed on this woman adrift, hiding behind a facade as much of her own making as societal. Hoskins actually comes across as a bit of a cad, and quite a ruthless one at that, and there is a superbly seedy effort from Ian McNeice as "Bernard", whose corpulence and sleaziness contrast well with the supposed "respectable house" offered by his meddling landlady mother "Mrs. Rice" (Marie Keen). The story is episodic in nature, which does rob it of any real sense of progress, though. It resets itself once or twice too often, before an ending that, though slightly optimistic, has a sort of negating sense to it, too. The attention to detail is good, the Dublin scenarios, costumes and photography support, effortlessly, this leading lady in one of her best roles.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
