War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
A spectacular spectacle of a movie that faithfully adapts a French 1970s sci-fi comic book. If you think you might see it some day, you owe it to yourself to catch it in 3D on a big screen now. In a world of paint-by-numbers blockbusters, this is an invigorating slap to the eyeballs. The flick would benefit from more focus and deliberation; often, story beats are glancing blows instead of precision hits. The biggest flaws, however, are found in the dialogue, which is at best serviceable and at times painful, probably owing to its transition through times, languages, and mediums. Valerian isn't perfect, it's a bit clunky, but the sheer unusualness, whimsy, and wonder overpowers the movie's faults, making it well worth watching.
It's a fun movie, but it's not what I would call a sci fi classic. It's all spectacle, with eye popping visuals. It creates some really interesting side characters and alien worlds. The drawback is the two leads. They seem rather bland and one dimensional. Their romantic bantering is quite boring. The supporting characters are more colorful and interesting. If you are a fan of Luc Besson's The Fifth Element, you will probably enjoy this. Just don't expect anything too deep from this movie.
Well, the scenes start comin' and they don't stop comin'. Aaaand that's basically the whole movie. No, honestly by the end of it I was actually pretty on board. It took me a lot to get to that point though. The ham-fisted romance subplot they kept awkwardly grinding the movie to a standstill for was chief amongst the swill I felt I had to wade through to get to that point of enjoyment. The primary alien race being the most poorly animated was another. But somewhere between the Rhianna actually being bearable in this, and the Ethan Hawke character I want to see 500 more times, I did actually somewhat enjoy _Valerian_... Somewhat. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I guess I am going to disagree both with the critics, wich of course is not at all unusual, as well as with a lot of the actual viewers of this movie by saying that I really liked this movie. I guess that I can to some extent understand that some viewers are disappointed. That would be the viewers that have read the comics that the movie is based on. Unfortunately someone in the production team decided to take bits and pieces from several comic books and mash them together as well as change some key elements. It is really annoying when that is done. It is usually an indication that somewhere some dumbass who did not understand, and certainly did not respect, the source material had way too much influence on the production. It is really a shame since the comic book from wich the core of the of the story seems to be taken is certainly more than good enough to stand on its own. Well luckily the mashup that they produced is actually bloody good. Something wich in my experience is quite rare. The Valerian comics lends themselves very well as a base for some spectacular sci-fi with plenty of weird creatures and spectacular scenery. Add Luc Besson to the mix and you have to spell spectacular in all caps. This is definitely a Luc Besson movie. Plenty of action, spectacular (yes I repeat myself but this movie deserves it) scenery, a fair amount of weirdness. In short a lot of stuff this particular viewer likes. The mashed up story is not too bad. It is predictable as hell of course, even though it is not following the comics, but it is making a decent job of tying together all the action and FX and the action and FX is really the main reason to watch this movie after all. I have to say that I think most of the characters were pretty okay. It seems that the performance of the two main characters where generally not so well received by a lot of people. I guess I can somewhat understand that but I still cannot refrain from saying: Read the fucking comics! Okay it is a French comic and there are probably few people outside of France (or at least outside of Europe) that have read them. Me being one of the few of course. Anyway, Valerian and Laureline are supposed to be somewhat weird, silly and a little bit childish. Personally I think they did a fair job of interpreting the comic book characters the way they should be. We probably have Luc Besson to thank for not getting a some Hollywood, thirteen on a dozen, characters. I do miss some bits of the real comics though. The transmutation animal played a much more visible role in the comic and so did the three information peddlers wich gave a much more professional impression in the comic book by the way. I also think it was a shame that they changed the story of the Muh so much. Their role in the comic book was much more impressive to me. Still, most of the bits and pieces that is taken from the different comic books and mashed together are quite faithfully reproduced, at least visually and the results turned out really really good as far as I am concerned. To wrap it up, to me, this movie was a fun, spectacular, action filled sci-fi extravaganza. A typical Luc Besson movie and I mean that in a good way.
I like this Movie very much. It reminds a bit about Avatar & John Carter. I can not Understand why it did Not make it to the Australian Cinemas. For this type of High Budget it would be worth watching in 3D Cinemas. I gave it 10/10 **********
A disorrienting but somewhat delightful run through all manner of sci-fi imaginations. The acting was not good, and the storyline was sometimes incoherent, yet I have this strange urge to rewatch this thing. It's harmless, fascinating fun, in ways like the original starwars experience (though much more visually spectacular, and much less narratively coherent).
I'm conflicted by this film. The good is really great. I think the settings are some of the best in any sci-fi movie I've watched. Luc Besson's style shines through ala Fifth Element. The visual and special effects combine with the settings to make this just spectacular to watch. The plot and action provide solid support. But the bad is truly awful. The selection of Dane DeHaan in the lead is one of the worst casting mistakes I've come across. He is completely unbelievable in the role and nothing like the character in the source material. Cara Delevingne scrapes by but the two of them struggle to deliver their roles and have zero chemistry. Even Clive and Ethan aren't at their best, with Rihanna being one of the best performances. They aren't helped by some very poorly written dialog. With so many good actors and writers out there these two big mistakes should never have happened. Unfortunately those mistakes turned what should have been a sci-fi gem closer to painful mediocrity.
Great world, great action, great miscast Dane de Haan sounds like a teenager trying to sound like a grown-up ordering porn from the video store with dad's credit card. He's not the bratty guy that gets on Cara's nerves and into her heart. That would be Ryan Goslin, Chris Evans or Chris Pratt, but I reckon they had their schedules full. Since much of the movie depends on the banter between Cara and Dane, you can see Cara is trying and rescues a bunch of scenes, but it just doesn't work. It's a real shame. On top of that, he misses the hero charm and charisma that's needed to pull off a believable "invaluable resource". So enjoy the good parts (the word building, the action scenes and Rihanna's performance) and try to gloss over the bad.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
Starship C57D travels to planet Altair 4 in search of the crew of spaceship "Bellerophon," a scientific expedition that has been missing for twenty years. They find themselves unwelcome by the expedition's lone survivor and warned of destruction by an invisible force if they don't turn back immediately.
Aliens have landed and are hiding on Earth, but need Earth’s scientists to help them fight an inter-planetary war.
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company that manufactures memories. When his memory implant goes wrong, Doug can no longer be sure what is and isn't reality.
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
Batman must battle a disfigured district attorney and a disgruntled former employee with help from an amorous psychologist and a young circus acrobat.
Batman and Robin deal with relationship issues while preventing Mr. Freeze and Poison Ivy from attacking Gotham City.
A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.