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Captures the fear of the atomic age perfectly. Carl Meacham is an atomic scientist, who after passing a cunning test, gets invited to work at a top secret lab out in Georgia by the rather odd looking man known as Exeter. The project is apparently in the cause of finding world peace, and once arriving at his destination, Carl finds other notable scientists are also there, including the radiant Ruth Adams. As things progress things don't quite add up, and this leads to a realisation that the future of Earth could very well be in the balance. "This Island Earth" not only divides the casual film viewer, it's also proved divisive amongst the most hardened of sci-fi genre supporters. Some say the story is barely worth a second glance, whilst others point to a distinct lack of scientific nous as a reason to do the film down. To me I find it to be very much on the money for the era it was made. This film comes nearly ten years after America ended World War II with an atomic attack on Japan, when nuclear reactors had been commissioned and were no longer seen solely as a weapon of mass destruction, in short the nuclear age was prominent and very much a reality. Yes the film is a far fetched fantasy, and it tries too hard to encompass a myriad of plot strands - something which to the younger viewers is likely to fly right over their heads. Yet the value here comes very much in the production as a whole. Marvel at the sets, the model work and the gadgets that feature heavily in this delicious slice of berserker sci-fi. Take in the incredible work of cinematographer Clifford Stine as we find ourselves on a desolate planet. It's a beacon of the genre because it identified the benefits of Technicolor to the sci-fi splinter of film and used it vividly to enhance the story (even if some subsequent home entertainment releases failed to restore it to a print fully worthy of the colour venture). The lovely Faith Domergue and square jawed Rex Reason play our intrepid scientists with verve and vigour, whilst Jeff Morrow is uneasily quirky as the mysterious Exeter. Directed by Joseph M. Newman (out of his genre comfort zones) offering up a technically wonderful film, it does make one rue that he didn't make more sci-fi pictures. For this is a shining genre light made at a time when cinema was a craft from all quarters of the medium, for also it's intelligent and knowingly astute of its own time frame. So don't believe the nay sayers on this, because this is a smart and poetic fantasy that also contains genuine moments of cinematic beauty. 7/10
I remember watching this film on television in the 70s and loving it. Whilst I'm not quite so impressed by it now, it is still quite a clever sci-fi yarn about an alien species, themselves under dire threat of extinction, who come to earth to assemble a team of scientists to help save their planet from an enemy bent on destroying it. Jeff Morrow has the slightly conical head as "Exeter" - their leader who recruits Rex Reason ("Meacham") and Faith Domergue ("Adams"). It is one of the first of these 1950s films that I recall seeing in colour, and that does render the SFX a little bit dated - perhaps a touch too much latex. Good nonetheless.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.
Four boyhood pals perform a heroic act and are changed by the powers they gain in return. Years later, on a hunting trip in the Maine woods, they're overtaken by a vicious blizzard that harbors an ominous presence. Challenged to stop an alien force, the friends must first prevent the slaughter of innocent civilians by a military vigilante ... and then overcome a threat to the bond that unites the four of them.
A research scientist becomes the world's first pregnant man in order to test a drug he and a colleague have designed for expectant women. To carry out the trial, he has an embryo implant, believing that he will only carry the baby for three months – hardly expecting to face the prospect of giving birth.
Sheldon Bart (Fred Ward) is a drifter, and a small-time con man. He meets his old friend, Brother Bud (Harry Dean Stanton), a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene (Cindy Williams), a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.
Inept beings from the planet Kabijj land on Earth and attempt to behead all of its beings and take over the planet
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.