The Italian Job

Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.

Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.

In Martha's Vineyard, Mass., conjoined twins Walt and Bob Tenor make the best of their handicap by being the fastest grill cooks in town. While outgoing Walt hopes to one day become a famous actor, shy Bob prefers to stay out of the spotlight. When a fading Hollywood actress, Cher, decides to get her show "Honey and the Beaze" cancelled, she hires Walt - and his brotherly appendage - as her costars. But their addition surprisingly achieves the opposite.

A man is reluctant to tell his fiancee that his parents, uncle and brother are dwarfs.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

The story of Louis XIV of France and his attempts to keep his identical twin brother Philippe imprisoned away from sight and knowledge of the public, and Philippe's rescue by the aging Musketeers, led by D'Artagnan.

King Louis XIV has without his knowledge a twin brother, Philippe, but when he is told, he immediately locks up his brother in the Bastille. The king wants to increase his popularity and stages an assassination against himself where Philippe is dressed as king Louis. But Philippe manages to escape the assassination and everybody believes him to be the real king...

Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (apparently) contented children. The other family is poor, with rambunctious (even delinquent) children, often hungry, but with lots of laughter in the house.

This is a film about the movie industry, about favors, hooking up etc. It is mostly set in Copenhagen and the story begins with the son of a big producer going to Copenhagen from Hong Kong trying to seal a deal. He gets involved with the Denmark girls.

Twin brothers are serving in the French army during the Great War. Jacques, a private, leads his brother's company to attack when Honoré, a lieutenant, panics and flees. Jacques, dressed in Honoré's coat, wins a vital victory, but he is mistaken for Honoré and decorated for gallantry in his brother's name. Jacques assumes Honoré's identity and goes to Paris where he meets Honoré. Honoré, after a serious disagreement, plots to have Jacques murdered but is himself killed by mistake. Jacques finds happiness with Moira, Honoré's wife from a loveless war marriage of convenience. 'Honor First' was the first film Adorée and John Gilbert made together.

Here's a foxy tale of love, pigtails and slapped faces with a spitfire heroine that fights Yasuaki Kurata and his bully gang in old china town.