Life Is a Circus

Fields plays "Larsen E. Whipsnade", the owner of a shady carnival that is constantly on the run from the law. Whipsnade is struggling to keep a step ahead of foreclosure, and clearly not paying his performers, including Bergen and McCarthy, who try to coax money out of him, or in McCarthy's case, steal some outright.

Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.

While visiting the circus with his family, Charlie is recruited by the big top's co-owner to investigate threatening letters that he's received.

The Our Gang kids put on a circus in the barn to raise money to help Porky's family pay the rent and avoid getting evicted.

Bugs Bunny is hired to perform in Colonel Korny's Circus alongside Bruno the Magnificent, the Slobokian Acrobatic Bear, but Bruno doesn't want to share the limelight.

A circus performer falls in love with the son of a plantation owner in antebellum New Orleans. When the young man's stepmother objects to the wedding, the couple break apart and go their separate ways for a time. Also in the mix are two circus comics who feud over the heart of another Southern belle.

Twenty-three years after scoring the winning touchdown for his college football team mild-mannered Harold Diddlebock, who has been stuck in a dull, dead-end book-keeping job for years, is let go by his pompous boss, advertising tycoon J.E. Wagglebury, with nothing but a tiny pension. Harold, who never touches the stuff, takes a stiff drink with his new pal... and another, and another. What happened Wednesday?

Mary Miles Minter is the title character. Pat (Minter) is a little orphan who has been raised around the circus. Her foster father is Toto the clown (Neely Edwards). Toto hopes to marry Pat until the day the circus comes to a Southern town and she meets handsome Dick Beverley (Jack Mulhall). Beverley falls in love with Pat and takes a job as trick rider just to be near her. Beverley's aristocratic parents (Winter Hall and Helen Dunbar) find out about his new job and insist that he come home. Two of the five reels survive.

Two egg-shaped clown performers try out new ways to impress audiences.

Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.