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The Sunday Show with Jonathan Capehart - (Nov 17th)
House Hunters Renovation - (Nov 17th)
The Fifth Estate - (Nov 17th)
Austin City Limits - (Nov 17th)
TMZ Live - (Nov 17th)
The View - (Nov 17th)
The Last Socialist Artefact - (Nov 17th)
LIVE with Kelly and Mark - (Nov 17th)
Later... with Jools Holland - (Nov 17th)
Ottoman Empire by Train - (Nov 17th)
Romesh Ranganathans Parents Evening - (Nov 17th)
The Beat with Ari Melber - (Nov 16th)
Michael McIntyres The Wheel - (Nov 16th)
Strictly Come Dancing- It Takes Two - (Nov 16th)
The Chase - (Nov 16th)
GRAND SUMO Highlights - (Nov 16th)
Legends of Comedy with Lenny Henry - (Nov 16th)
Fisk - (Nov 16th)
Alan Carrs Picture Slam - (Nov 16th)
The Katie Phang Show - (Nov 16th)
When I'm faced with challenges in my life, I am somewhat heartened by something I learned as a child, that an oyster has to be irritated by a grain of sand in order to eventually make a pearl. That knowledge always made the load I was carrying seem less significant, and helped me to see the light at the end of the tunnel, so to speak. Cinematically speaking, at least in the fine age of silent movies, one of the most difficult gestation periods for the birth of a great film was the highly traumatic 11 months of production for one of Sir Charles Chaplin's masterpieces, 'The Circus'. I love both silent cinema and early filmic comedies, and though I prefer Buster Keaton to Chaplin, I always enjoy his great works, up to and including 'The Great Dictator'. Particularly close to my heart is 'The Circus'. Considering all of the brutal disasters Sir Charles Chaplin was facing during the movie's elongated production (ruined film negative, studio burning down, Lita Grey's divorce papers [and the related sex-scandals hitting the papers], nervous breakdown, mother dying, IRS demanding a million in back taxes, one of the circus wagons being stolen, just to mention a few), it's miraculous that a film was released at all, let alone one as gracefully hilarious yet contemplatively mature as 'The Circus', and that he was able to both recover and rebound from this bad spell to have a superlative career as one of the greatest actor/directors ever to grace cinema. His life was basically a three-ring circus, and he was still able to retain his dignity and escape virtually unscathed. Because of the aforementioned trials and tribulations he endured in those eleven months of the film's making (which IMHO would be worthy of a fine film itself, in its documentation and chronicling), though it may not be as side-splitting in its hilarity as 'The Gold Rush' or 'Modern Times', it will probably hold the closest place to my heart of Chaplin's films.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
Trouble-prone Billy Peck and his gang descend on a traveling circus that has just hit town, and before long their antics are causing the circus owner all kinds of problems.
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
A beautiful woman looking for a rich husband but her greed causes her in problems .
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
