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If you really like black and white comedies from the 30s and 40s — well, you have probably seen this one! I know I did many (many) years ago, but I recently had a chance to watch it again. It was worth the time. It features Cary Grant and Myrna Loy doing what they do best. He is a wisecracking husband and father who seems smart at times, but slightly daft at other times. He loves his wife and kids, but gives them a hard time when things go the wrong way. But not in a modern hurtful way. Myrna I remember easily from the Thin Man films and she is a natural at this. She deadpans a lot of her lines, but check out her facial expressions. She accomplishes a lot without seeming to try. Some of the situations are predictable, but often I found myself laughing even when I had a good idea what was coming. It is very well-written. This is no blockbuster, but it is sweet, harmless fun, and sometimes that is just what I need.
This is a simple comedy about a family living in downtown Manhattan who decide to relocate to a delightful old house in loads of acres in rural Maine. Problem is, they buy a house that the wind could blow down and soon enough are on a roller-coaster ride building a new home whilst being simultaneously fleeced by just about everyone. Cary Grant is great; his dialogue is frequently pithy and the on-screen rapport between him and Myrna Loy is effective and understated - even when he starts to believe that she might be up to some shenanigans with their lawyer - Melvyn Douglas - who delivers his role in a magnificently aloof "what are you all doing?" sort of fashion. Add to the mix, the pressure Grant is under to come up with a new slogan for his 1940's equivalent of "Spam" and we have a gentle mixture of screwball fun and games that cannot fail to raise a smile...
Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.
A bitter ad executive, who has reached his breaking point, finds himself in a mental institution, where his career actually begins to thrive with the help of the hospital's patients.
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
When a happily married family man, who would never consider an affair, meets a beautiful woman in red, he is totally infatuated and desperate to make her acquaintance. However, as he tries out various schemes to sneak out to meet her, he realizes that adultery is not quite as easy as it looks.
Advertising executive Nick Marshall is as cocky as they come, but what happens to a chauvinistic guy when he can suddenly hear what women are thinking? Nick gets passed over for a promotion, but after an accident enables him to hear women's thoughts, he puts his newfound talent to work against Darcy, his new boss, who seems to be infatuated with him.
A young couple, soon to wed, begin building their dreamhouse, but their interfering relatives cause no end of trouble. Comedy.
Advertising executive Nick Beame learns that his wife is sleeping with his employer. In a state of despair, he encounters a bumbling thief whose attempted carjacking goes awry when Nick takes him on an involuntary joyride. Soon the betrayed businessman and the incompetent crook strike up a partnership and develop a robbery-revenge scheme. But it turns out that some other criminals in the area don't appreciate the competition.
When her scientist ex-boyfriend discovers a portal to travel through time - and brings back a 19th-century nobleman named Leopold to prove it - a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn't return to his own time, his absence will forever alter history.
Arlo accepts what seems to him to be a dream promotion to Idaho. He soon discovers, however, that moving has its own share of problems.
After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.
Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.