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"Moving" is a generally low profile film which has the barest minimum of impact and it obviously lives up to no one's expectations about what a good film - comedy or otherwise - ought to be. It certainly isn't a high point for Richard Pryor and it serves as a sobering reminder of just how truly brief his star shown brightly in the Hollywood firmament. He really did deserve better than this and it is so easy to understand how the incredibly lackluster Eddie Murphy was able to effortlessly surpass the superior Pryor and go on to establish and enjoy the sort of high profile and critically lauded career Pryor should have had and unquestionably deserved. Pryor's loyal fans will undoubtedly find this a disheartening experience to once again see him mixed up in yet another film where he is working well below par when they know he is easily capable of so much more.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
When their beloved school is threatened with closure should the powers that be fail to raise the proper funds, the girls scheme to steal a priceless painting and use the profits to pull St. Trinian's out of the red.
Jenna is a pregnant, unhappily married waitress in the deep south. She meets a newcomer to her town and falls into an unlikely relationship as a last attempt at happiness.
Brewster, an aging minor-league baseball player, stands to inherit 300 million dollars if he can successfully spend 30 million dollars in 30 days without anything to show for it, and without telling anyone what he's up to... A task that's a lot harder than it sounds!
One Saturday, the Slurb, a strange little creature with a proboscis nose, enters Mr. Taschenbier's life. Slurb, who immediately adopts the shy Mr. Taschenbier as his "daddy," is, however, his sheer opposite: he is cheeky and chaotic and throws his well-ordered life into sheer chaos. But when Taschenbier discovers that he can fulfill all his wishes with the help of Slurb's blue freckles, his life suddenly changes. He appeases his bad-tempered landlady, Mrs. Rotkohl, and he can finally get one over on his nasty neighbor, Mr. Lürcher. Everything could be so nice if Mr. Taschenbier didn't fall in love with his pretty colleague Mrs. März and if the Slurb didn't almost burst with jealousy...
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
Stefan and Kai run a thriving business: a home-grown cannabis trade disguised as a pizza delivery service. For now they just have to fight aphids.
Chaos reigns at the natural history museum when night watchman Larry Daley accidentally stirs up an ancient curse, awakening Attila the Hun, an army of gladiators, a Tyrannosaurus rex and other exhibits.
At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television forever. This is the story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Holden and Banky are comic book artists. Everything is going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
