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I'm unashamedly a James Cagney enthusiast--in fact, he's my very favourite actor (like me, he's at least part-Irish, and he's more versatile than Orson Welles), so yes, I tend to be overly generous when I'm watching his films. But I really enjoyed this gangster/boxing hybrid film from the early 40's that, not only sported great acting by Cagney but also had wonderful performances by Ann Sheridan (I'm rather fond of redheads too), Anthony Quinn and a rare acting role for top-notch director Elia Kazan. Yes, it was melodramatic, a tearjerker and overly predictable--people talk about those qualities as if they were bad things. Also being an aficionado of many types of music, particularly jazz and classical, I found it highly compelling of the filmmakers to utilize music as a way of communicating the inexpressible (the trials and tribulations, dreams and pitfalls). Highly recommended for anyone who likes seeing filmmakers think outside of the box for once, and dare to try something different. Especially if you love Cagney and classic cinema as much as I do, I highly doubt you'll be disappointed.
Powerhouse Cagney in melodramatic heart-tugger. If taken purely on script alone the film only amounts up to the usual fare we have seen a zillion times over the years. The basic formula being that two brothers are taking different paths in career choices and the elder brother is doing all he can to help realise his younger brother's dream of being a composer, yet thankfully here the film has a great deal more to offer outside of the usual standard fare. The elder brother boxes to support his young bro's dream but he's tragically almost blinded in a gruelling 15 round fight where foul cheat tactics are used against him. The film then follows the love interest slant of the family & girlfriend closest to our stricken boxer, where thankfully the film manages to stay clear of drowning in a bowl of sickly syrup. Playing out with a very deep emotional heart the film functions so well because of the lead actor. James Cagney was 42 when he made this film, yet he looks like a lithe athletic man in his twenties, such was his commitment to the role. He imbues such gusto into the role of Danny Kenny that he alone demands you watch this film. Cagney is also staunchly supported by Ann Sheridan, Arthur Kennedy, and by a very brash turn from Anthony Quinn. It's a film that tugs on your heart strings at times, and yes it has the audience begging for an uplift in the final reel, but it's done well and delivers all that you had hoped for at the start of the film. The back story doesn't read so well though, Cagney & director Anatole Litvak were continually at war during filming, and most of Cagney's input into the film was cut out. Cagney was so annoyed and sad with the final outcome, he wrote to Aben Kandel (the writer of the novel the film is adapted from) and apologised with sincerity, he need not of worried though for the final result is a very rewarding experience indeed. 8/10
Two boxers meet for a fight in a closed gym. With one boxer well prepared for the fight ahead the other tries making his own luck to better his opponent.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
When Longfellow Deeds, a small-town pizzeria owner and poet, inherits $40 billion from his deceased uncle, he quickly begins rolling in a different kind of dough. Moving to the big city, Deeds finds himself besieged by opportunists all gunning for their piece of the pie. Babe, a television tabloid reporter, poses as an innocent small-town girl to do an exposé on Deeds.
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
Good-natured astronomer Sam is devastated when the love of his life leaves him for a suave Frenchman. He therefore does what every other normal dumpee would do — go to New York and set up home in the abandoned building opposite his ex-girlfriend's apartment, wait until she decides to leave her current lover, and then win her back.
A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak.
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
When Eastern European criminals Oleg and Emil come to New York City to pick up their share of a heist score, Oleg steals a video camera and starts filming their activities, both legal and illegal. When they learn how the American media circus can make a remorseless killer look like the victim and make them rich, they target media-savvy NYPD Homicide Detective Eddie Flemming and media-naive FDNY Fire Marshal Jordy Warsaw, the cops investigating their murder and torching of their former criminal partner, filming everything to sell to the local tabloid TV show "Top Story."