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‘And Then We Danced’ is such a special film, crafted with love and necessity, honest in its intentions and pure in heart. I found myself totally swept up in it and, by the end, my heart burst with love for it. This will easily go down as an LBGTIQ+ classic; how extraordinary is it for Georgia to have such a film as part of its cinematic legacy, not just for its craft but for what it represents. ‘And Then We Danced’ is the past and the present at odds, with the future ultimately at stake, rendered in flesh and bone by the powerhouse debut performance of Levan Gelbakhiani, easily one of the best of the year. Levan Akin has made a remarkable film, a passionate dance for love, for country, for tradition, for art and for survival. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-and-then-we-danced-a-passionate-and-remarkable-classic-in-the-making
Drama queer in Georgia, country where dance is Nation. A fairly classic gay plot on movies, but poetry and dance. Sensitive.
This is a superb film that depicts an excerpt in the life of a young man from Tbilisi - "Merab" (Levan Gelbakhiani) who balances his work in his family restaurant with his training to be a classical dancer at a very tough school that emphasises the masculinity and traditions of ancient Georgian dance. His life is somewhat turned upside down by the antics of his wayward brother and by the appearance of "Irakli" (Bachi Valishvili) at the dance school - a man with whom he starts to explore more of his own personal identity in a culture that takes an exceptionally dim view of homosexuality. Gelbakhiani is super here; he genuinely can dance - and the emotive themes that conveys are simple and special. The use of the traditional musical accompaniment - with frequently just a drum (and a wee bit of Abba) - all adds to this gently authentic slice of the life of this aspiring and inspirational young man on his way, we hope, to better things. The last five minutes are a wonderful demonstration of his skill/perserverance and determination.
"Georgian dance is about masculinity. It used to be softer, but we changed it 50 years ago." This award-winning film demonstrates that the struggle for identity, for becoming truly who we are, is worldwide and culture independent. It's a beautifully made film, with a soft, dark tone. I'm a bit of a sucker for a dance film, and I give this a 90/100 - 40 for the story, 40 for the acting and 10 points extra for the incredible, sarcastic, final dance performance. It really just blew me away and I can't stop thinking about it.
On a Saturday night in the "City of Love", two sworn enemies are united in their hatred for someone they despise even more than each other: a gay man.
At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.
After finally breaking up with his drug-addicted lover, Trevor begins a new romance that unexpectedly complicates his other relationships.
During the pandemic, introverted painter Hélio meets aspiring model Theo and begins a report that will make him face his deepest insecurities in a way he never imagined.
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.
In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.
Just 10 minutes from the center of Madrid (but also from Rome, Paris, London ...), hundreds of hungry men meet in a fortuitous and secret way. Some are looking for quick and easy sex, others are trying to escape loneliness, most are looking for themselves ...
This 2017 movie follows the original dance academy TV show and tracks where the characters are in their lives now.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
Blessed with a keen sense of smell and cursed with a philandering pornographer husband, a parasitic mother, and a pair of delinquent children, the long-suffering Francine Fishpaw turns to the bottle as her life falls apart - until deliverance appears in the form of a hunk named Todd Tomorrow.