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***Big city sci-fi thriller with Bruce Willis and Thomas Jane about artificial humans*** In the near future, a big city resort called Vice utilizes artificial humans wherein clients can fulfill their debased fantasies, including rape, robbery and murder. An artificial female (Ambyr Childers) escapes and seeks sanctuary at a city church. Bruce Willis plays the entrepreneur of the resort, Thomas Jane a disheveled cop who wants to put him out of business and Bryan Greenberg the man who resides in the church, but he ain’t no pastor. "Vice" (2015) mixes the concept of “Westworld” (1973) and “Futureworld” (1976) with elements of “Blade Runner” (1982), “Groundhog Day” (1993), “Universal Soldier” (1992) and “The Island” (2005). While it only cost $10 million and you can’t expect blockbuster production values, it’s more polished than the average SyFy flick, which usually only cost $3 million or less. Practically the entire movie takes place at nighttime in the big city and I like the reverent tone. Jane is great as the city cop and Willis is his reliable self in a role he could do in his sleep. Childers comes across as a low rent meshing of Malin Akerman and Alicia Silverstone, but in her mid-20s. She’s a’right, but it would’ve been better with someone of the caliber of Scarlett Johannson or Silverstone when she was younger. What turned me off is the eye-rolling way the security guards at the resort couldn’t hit the side of a barn; meanwhile the cop rarely misses. Sure, this is done in a lot in movies, but there’s a way to do it that looks relatively realistic and doesn’t insult the intelligence of the viewer. Not so here. “Vice” thankfully shoots for some depth amidst its action thrills. For instance, there’s the question of robotic self-awareness, which was explored with Data in Star Trek: The Next Generation. Then there’s the debate over media violence & sex, whether in movies or video games. Does it provide an outlet for people to purge their debased desires or does it encourage that behavior in the real world? Lastly, there’s a halfhearted commentary on religious fundamentalism and spirituality. While lackluster in some ways (due to its low-budget), I liked the reverent tone and the profundities amid the thrills, not to mention Jane’s entertaining performance. It’s marginally better than “Westworld” (1973), which, let’s face it, wasn’t exactly a masterpiece. The film runs 1 hour, 36 minutes and was shot in Mobile, Alabama, and Miami, Florida. GRADE: C+/B- (5.5/10)
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Seen through the eyes of Rebecca Gibbs, a young abuse victim, I DON'T WANNA FEEL NOTHIN' NO MORE is an intense drama that chronicles three generations of incest among the women in one family as they struggle to maintain their strength and dignity against almost overwhelming odds.
When Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge.
When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike Reilly teams with ambitious Department of Health researcher Terry Huston to uncover the cause behind their violent and inexplicable deaths. The only common factor shared by the victims? Each died exactly 48 hours after logging onto a website called feardotcom.
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death
Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.
Forrest Taft is an environmental agent who works for the Aegis Oil Company in Alaska. Aegis Oil's corrupt CEO is the kind of person who doesn't care whether or not oil spills into the ocean or onto the land—just as long as it's making money for him.
A former government operative renowned for his stealth, Jack Cole is now a Los Angeles police detective. When a series of horrible murders occurs in the metro area, Cole is assigned to the case, along with tough-talking fellow cop Jim Campbell. Although the two men clash, they gradually become effective partners as they uncover a conspiracy linked to the killings, which also involves terrorism and organized crime.
A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.