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It's hard to find a single aspect of _Cobra _that hadn't been done before, or hasn't been done better since. It's hoakey and way too self-serious given the content. But if you're hankering for some of that Sly action of yore, you shouldn't go past _Cobra_... Unless its for any number of the nearly-identical-but-better movies he did in the same era. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
This is where the law stops and I start, sucker! Cobra is directed by George P. Cosmatos and written by Paula Gosling (novel Fair game) and Sylvester Stallone. It stars Stallone, Brigitte Nielsen, Brian Thompson, Reni Santoni, Andrew Robinson, John Herzfeld and Lee Garlington. Music is by Sylvester Levay and cinematography by Ric Waite. A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far-reaching plans. Cobra is a tantalising peek as to just what Stallone's "Beverley Hills Cop" would have looked like. He had turned in a gritty and ballsy action screenplay but the studio balked at the cost and thus went with the comedic Eddie Murphy route (which worked great as it happens). This truncated 1hour and 20 minute Cobra just hints at what a dark edgy action film we should have had before the scissor suits at the studio got panicky and cut out a third of the pic. What we have left though is still good fun, Stallone is on cocky and cool bad dude mode, the villain is OTT (Brian Thompson actually looks like Arnie in some facial shots), Nielsen is in her natural bodily state... while the action we do get is high octane. It's hardly a stinker, if a little frustrating with a "what might have been hanging" over it, and of course the editing is shoddy. 6.5/10
Short and sweet. 'Cobra' is a straightforward, by the numbers action film with Sylvester Stallone. It doesn't really do much to drift you away from the obvious, but the action itself is entertaining and some of the deaths are quite cool to watch. The songs are passable, if not entirely well chosen. Stallone, as you'd likely expect, is the only performer worth noting. He does his usual stuff and it comes across strong enough, one thing I didn't like about his character is his speech - the dialogue is kinda poor, they attempt to make Cobra a smooth, cool badass but it doesn't really work in that way. I'd almost considering this a disappointing film, but the watchable action and Stallone himself carry this over the line for a good film in my opinion.
My mother loved this film back when I was a kid, actually took me to see it three times in the theater... when I was about 6. As a kid, it was another fun action movie with a lot of fun violence and just scary enough where I could boast about it at school. And, as an adult it's a fun action movie with a lot of fun violence and a plot that doesn't completely make sense, but who cares because the point is fun. It's one of those movies that you don't expect a lot going into and you are rewarded with, well, mindless popcorn munching action that is delivered in a way that only the 80s could do. So what's not to like?
A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.
F/X man Rollie Tyler is now a toymaker. Mike, the ex-husband of his girlfriend Kim, is a cop. He asks Rollie to help catch a killer. The operation goes well until some unknown man kills both the killer and Mike. Mike's boss, Silak says it was the killer who killed Mike but Rollie knows it wasn't. Obviously, Silak is involved with Mike's death, so he calls on Leo McCarthy, the cop from the last movie, who is now a P.I., for help and they discover it's not just Silak they have to worry about.
After her husband dies in a freak plane accident, a woman leaves London for Athens to collect his generous life insurance policy. She soon discovers that others besides herself are keen to get their hands on the money - and are willing to kill for it. Meanwhile, a private investigator arrives to investigate irregularities in the claim, teaming up with a beautiful reporter.
After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
During the eve of the 6th of January, a record-breaking snowstorm sweeps across Spain. In the midst of its chaos, a group of robbers seizes the opportunity to hijack an armoured van. A few meters away is Leo, a finished policeman who has nothing to lose. With the unexpected aid of a young woman, he will try to stop the band from running away with their loot.
Jonny dreams of leaving his dead-end job as a courier. Through his childhood best friend, nephew of the notorious crime lord Ray Kreed, he wins his way into the toughest gang in North London. Hungry for action, Jonny sparks a feud between Ray's gang and a rival firm in South London headed by drug kingpin Sean and his lieutenant Matthew.
An extinct species, the Tasmanian tiger. A long-forgotten legend, “The Pieman” aka Alexander Pearce, who was hanged for cannibalism in 1824. Both had a desperate need to survive; both could have living descendants within the Tasmanian bush. Four hikers venture deep into isolated territory to find one of these legends, but which one will they come upon first?
Dr. Samantha Goodman is a beautiful, young psychiatrist. Burnt out, she drives to the family’s winter cottage to spend time with her husband and sister. A relaxing weekend is jarringly interrupted when a terrifying and unexpected guest arrives. What follows is an extraordinary night of terror and evil mind games where escape is not an option.
Jonathan Cold returns, this time he goes Undercover to stop a group of Terrorists before they bomb Los Angeles.
A remake of the 1927 horror film "The Wizard". Dr. Larry Forbes arrives in a remote French village to visit his fiancée who lives with her scientist father Dr. Renault and his Ape-like manservant Noel. Several Murders coincide with Dr. Forbes arrival, with clues pointing in multiple directions.