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Recently in approaching the milestone of seeing my 5,000th film (at least by my IMDb list of my shoddy recollections), I wanted to make it a very special film, so it was between the blus of this and 'The Treasure of the Sierra Madre'. That was a very special work too, but in retrospect, I felt this was an even finer film. I haven't seen much of Vidor's work (only 'The Champ', 'Hallelujah' and 'The Fountainhead'--all of which I greatly admired), but I knew he was a great American director to be reckoned with, for any cinephile worth his salt. Plus, I had always been intrigued by the then-sex symbol status of ill-starred John Gilbert (especially since my favourite actress ever, Great Garbo, was so enraptured by him). This was remarkable. I was astounded by how Vidor (who said beforehand he wanted to finally make a film that wouldn't simply be gone from theatres in a week, but would play on for years, and that he would put forth a much greater effort if that could be the case, especially if either about steel, wheat or war) mixed elements, emotions and atmosphere so expertly. Even though it was a first-watch, since it was a silent film I thought it would be all right to throw on the Jeffrey Vance commentary, which contained four interview snippets from Vidor, late in his life in the 1970's. It was a wonderful cinephilic experience, and the book that enclosed the blu ray release was even more telling, with tons of pictures and essays about the American landmark of silent cinema.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.
Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.
The story takes place in 1917. Véronique is a young woman of 35 years, nurse at the military hospital of Besançon. She suddenly learns of the murder of her husband, the mysterious Count Vorski, whom she has not seen for fourteen years. Her research will also lead her to the track of her father and son whom she believed to have died in a shipwreck, already a long time ago. From clue to clue, here we are in Brittany, on this island with a name so ill-fitting... Brutal deaths, enigmatic words written... by whom? A frightening prophecy, the superstitious terror of the island's inhabitants, and suddenly, Veronica d'Hergemont can no longer leave this island. She's stuck alone. Almost alone...
The story of the WWI poets Siegfried Sassoon, Wilfred Owen and Robert Graves, using their diaries and letters to tell the inside story of the war in their own words.