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Grave robbing is one thing, but murder is quite another. Dr. MacFarlane and John Gray share a murky past, but just what is this hold that the lurching Gray has over the eminent Doctor?. Based on a Robert Louis Stevenson short story, The Body Snatcher contains tight direction from Mr Versatile, Robert Wise - all the classy Gothicism one comes to expect from producer Val Lewton - and a stunningly effective performance from Boris Karloff. The piece neatly puts itself out as a kind of sequel to the infamous story of Burke & Hare, where here our main protagonists are clouded over by a link to the dastardly duo who purloined cadavers for cash in the 1820s. What stands out with this picture is the wonderful pacing, nothing is rushed to try and jolt fear into the viewer, it's sedate and framed in a marvellous Gothic texture by the makers. The core story line is of course one of great distaste, but this is a medical quandary in the name of research that makes for a thought provoking narrative. We are put into a position very early on where we so want to see a young girl cured of her ills, and thus this axis of the film is neatly surrounded by the lurking horror that begins to unfold. You have to suggest that this is great writing from Stevenson, Lewton & MacDonald. Boris Karloff is Gray, a large shuffling man who is the body snatcher of the title, he be a smirking and well spoken Gent, which really shouldn't be scary, and yet Karloff manages to chill the blood in every scene that he is in. Henry Daniell is MacFarlane, a very emotive performance as the character is twisted by his pursuit of medical achievements whilst having Gray's looming presence constantly hovering over him. Rounding out the cast with thespian effect is Russell Wade as protégé in waiting, Donald Fettes, Bela Lugosi (a classic horror fans dream comes real in one great sequence with Karloff) as Joseph, and Edith Atwater as loyal love interest Meg Camden. However, the actors all play second fiddle to the makers' work here. Gloomy cobbled streets come shining to the fore, Gray's hovel like abode is cloaked in dark shadows with the odd flicker of fire light, while the stone surrounds come across as monolithic structures. Some great sequences as well, a particular one uses the characters' shadows to tell the story under the watchful gaze of Gray's cat, and then the final reel, which is mood personified and perfectly puts closure on this fine piece of fevered Gothic work. Highly recommended. 8/10
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
When a Halloween prank goes wrong, it unleashes a creature that will hunt each of the participants down and kill them, unless they can figure out how to transfer the curse to someone else.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Ex-hitman John Wick comes out of retirement to track down the gangsters that took everything from him.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
