A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
Grave robbing is one thing, but murder is quite another. Dr. MacFarlane and John Gray share a murky past, but just what is this hold that the lurching Gray has over the eminent Doctor?. Based on a Robert Louis Stevenson short story, The Body Snatcher contains tight direction from Mr Versatile, Robert Wise - all the classy Gothicism one comes to expect from producer Val Lewton - and a stunningly effective performance from Boris Karloff. The piece neatly puts itself out as a kind of sequel to the infamous story of Burke & Hare, where here our main protagonists are clouded over by a link to the dastardly duo who purloined cadavers for cash in the 1820s. What stands out with this picture is the wonderful pacing, nothing is rushed to try and jolt fear into the viewer, it's sedate and framed in a marvellous Gothic texture by the makers. The core story line is of course one of great distaste, but this is a medical quandary in the name of research that makes for a thought provoking narrative. We are put into a position very early on where we so want to see a young girl cured of her ills, and thus this axis of the film is neatly surrounded by the lurking horror that begins to unfold. You have to suggest that this is great writing from Stevenson, Lewton & MacDonald. Boris Karloff is Gray, a large shuffling man who is the body snatcher of the title, he be a smirking and well spoken Gent, which really shouldn't be scary, and yet Karloff manages to chill the blood in every scene that he is in. Henry Daniell is MacFarlane, a very emotive performance as the character is twisted by his pursuit of medical achievements whilst having Gray's looming presence constantly hovering over him. Rounding out the cast with thespian effect is Russell Wade as protégé in waiting, Donald Fettes, Bela Lugosi (a classic horror fans dream comes real in one great sequence with Karloff) as Joseph, and Edith Atwater as loyal love interest Meg Camden. However, the actors all play second fiddle to the makers' work here. Gloomy cobbled streets come shining to the fore, Gray's hovel like abode is cloaked in dark shadows with the odd flicker of fire light, while the stone surrounds come across as monolithic structures. Some great sequences as well, a particular one uses the characters' shadows to tell the story under the watchful gaze of Gray's cat, and then the final reel, which is mood personified and perfectly puts closure on this fine piece of fevered Gothic work. Highly recommended. 8/10
An obsessive young woman begins to believe that she's being haunted by the ghost of her recently missing best friend.
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a strange phallic growth on her body and a thirst for human blood—the only nourishment that will now sustain her.
The discovery of a perfectly preserved caveman prompts a mad scientist to attempt a daring brain transplant.
Bruiser is the story of a man who has always tried to fit in. He keeps his mouth shut, follows the rules, and does what he's supposed to do. But one morning, he wakes up to find his face is gone. All the years of acquiescence have cost him the one thing he can't replace: his identity. Now he's a blank, outside as well as in, an anonymous, featureless phantom. Bent on exacting revenge, he explodes. He isn't going to follow the rules anymore.
A woman communicates with a houseplant that was the only witness to a recent murder.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
After his young son dies from the negligence at a hospital, Harry Fertig takes matters into his own hands and kills the doctor, nurse and clerk responsible. Slick lawyer Roy Bleakie, looking only to win a case and not caring of the matters involved, is asked by Fertig's boss to defend him. Shocked to hear that his client wants to plead guilty, the case causes Bleakie to question his own morals by defending an honorable man.
A group of thieves attempt to rob an art gallery, but when plans backfire and one of the men winds up dead, the group head down south, running afoul of the law. Along the way, they meet up with a seductive con artist with ideas of her own.
Betty has a crush on her tennis instructor Mike. He promises to call her for a date, but never does – she doesn’t know he sells drugs on the side. After botching a deal on someone else’s turf, Mike has to disappear for a while. He contacts Betty – then he’s killed before they can meet. Betty tries to find out what happened, leading her straight into a hornet's nest of vice.
A prequel to "Stone Cold", the story picks up after Jesse Stone is fired from the Los Angeles Police Department. He becomes an unlikely candidate recruited by a town council to become police chief of Paradise, MA, a small fishing town on Boston's North Shore. The board hopes his failed experience will keep him from digging too deep into the town's secrets. His first assignment is to investigate the murder of his predecessor whose death may be tied to a local domestic disturbance case, with connections to money laundering and murder involving some of the town's most affluent names as possible suspects.
A supposedly crippled boy rents a room to a female student of his age. Mistreated by her boyfriend, she decides to break up with him and gets close with her landlord, and they set up a plan to get revenge on their enemies using her beauty and his imaginative ways of torture.